ABU DHABI, UAE – The Ferrari World F1 Grand Prix events held in 2010 on Yas Island were accompanied by a series of city-wide events known as Yasalam, and there were also three nights of after-race concerts headlined by Kanye West, Linkin Park and Prince. Fixtures from Clay Paky were included in the lighting rig. Flash Entertainment carried out the stage design with set design by Lee Charteris. The setting for the concerts required both flexibility as well as an adequate size for the enormous crowd. Lighting Designer Steve Shipman of Clean Edge MFZ – LLC designed the lighting for the stage and set, incorporating Charteris' concept for an industrial looking cityscape.
The result was a stage 87 meters wide (285 feet) and 17 meters high (55 feet) at its highest point. The wings were made of scaffolding towers at various random heights and widths. The individual lighting designers for the headlining acts would then work with the main layout and design for their specific shows.
Overall lighting design was done by Luke Bonner of Production Technology LLC (Protec), who delivered the majority of the lighting, rigging and staging. The towers had different architectural, textural and lighting treatments, which included 10 Clay Paky Alpha Beam 1500s. The front lighting fixtures consisted of 35 Clay Paky Alpha Spot HPE 1200s, 36 Alpha Wash 1200s, and 24 Alpha Beam 300s.
Bonner (who handled the job in 2009 as well) used wysiwyg to model the Clay Paky fixtures with control from 2 grandMA Series 1 full size consoles at FOH plus 4 grandMA NSP.
"For years now we have been happy and satisfied with the quality and reliability of our expanding Clay Paky range," said Bonner. "Same as in 2009, the Clay Paky luminaires were chosen because of these qualities. The F1 concerts demand large quantities of reliable luminaires – and as we believe and trust in the brand, yet again we were able to meet the demand required for an event of this caliber. Furthermore, we have also appreciated the fact that they are more than capable of working outdoors, in mostly any type of weather found in this region – heat, humidity, dust and sand. All good, all Clay Paky."
Shipman added, "In the wings, Lee was keen to see ‘flower' type effects. I looked at various searchlight options but ended up using 10 Clay Paky Alpha Beam 1500s. They worked very well, I got the ‘flower' look we wanted using gobos and the prism wheel. And they were great for searchlight effects too. The main overhead stage fixtures were Alpha 1200 spots and washes. And also 24 Alpha Beam 300s, which I keep coming back to – they're so punchy for their size."
Cory FitzGerald, lighting designer for Kanye West said, "I had a great experience with the Clay Paky Alphas. They were fast, punchy and I was able to quickly build the looks I needed to make the show look great."
For more information, please visit www.claypaky.it.
