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David Byrne & St. Vincent Tour

PLSN editor Justin Lang

Food on the Road

What is one of the most important aspects of touring, and also one of the things we’re most likely to take for granted? It is something that every single one of us requires, at a minimum, two times a day. Did the title give it away? That’s right, food!

For Justin Lang’s video introduction to PLSN’s Sept. 2013 issue, go to www.plsn.me/201309ednote.

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Marty Postma, LD for Alice in Chains/Uproar Festival

TOUR: Alice in Chains, headlining act for the Uproar Festival tour

UPROAR FEST DATES:  Aug. 9 to Sept. 15, 2013

THE DESIGN: “Nearly all moving lights and LED screens are designed to bend like a shell around the band. The screens’ hanging angles and shape of the lighting trusses help accomplish this. We’ve got 68 moving lights, six small LEDs and five conventional blinders. For LED screens we have six larger panels over the stage and four smaller panels across the front truss.”

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Pippin on Broadway, 2013. Photo by Joan Marcus

Pippin Power

When Tony Awards season arrives, theatre mavens are sometimes befuddled by certain choices that have been made and shows that have been slighted. But when PLSN caught Pippin after it opened this spring, it was obvious why it was nominated for, and won, a slew of those coveted accolades. Tony Award-winning director Diane Paulus has revived a 40-year old show and created a vibrant spectacle complete with athletic performers telling a tale of passionate soul searching and patricide under the alluring aura of a circus big top.

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Justin Bieber tour photo by Steve Jennings

Justin Bieber’s “Believe” World Tour

Justin Bieber’s Believe Tour, which began a year ago and runs through December, has the 19-year-old Canadian and his vast entourage flying around the world with more than 150 shows in the U.S., Canada, Europe, Central and South America, Asia, the Middle East, South Africa and Australia.

Apart from the look of the show’s opening, where Justin Bieber makes a winged entrance, tour director/production designer Tom Marzullo created the show visuals with little more than a one-word directive from Bieber and manager Scooter Braun — to make it “epic.”

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David Heald photo of James Turrell's

James Turrell’s “Aten Reign” at NYC’s Guggenheim Museum

“It looks like the rings of Saturn,” said one observer, craning his neck to grab the attention of his companion to his left.

Nearby, another individual, standing amid a small huddled mass people, blurts out, “It makes my eyes bug out.”

Still others remain silent and still, not verbalizing their thoughts as they lay supine as if glued to the floor, their eyes turned skyward, mesmerized by a series of mysterious and monolithic elliptical bands, which float above their heads, changing colors at regular intervals.

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TLS Productions, Inc. in the beginning stages of a corporate event.

TLS Productions, Inc.

Quick. When you think of Ann Arbor, MI and stagecraft, what comes to mind? Alice Cooper? Commander Cody? Iggy Pop, Bob Seger, George Clinton? Madonna (who was a dance major at University of Michigan)? Sun Ra (who lived there in 1969)? You’ll soon be able to add TLS Productions, Inc., to the list. The noted lighting, production and special event management company plans to be settling into its new headquarters there by year’s end.

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Solaris LED Flare

Solaris LED Flare

Audience blinders are perfect for those times during a production when the talent on stage wants to see the people who came to see them. During those moments, as the name of the fixtures suggest, the lighting crew gets to turn its attention from blinding the performers and start abusing the optic nerves of the audience as well, using thousands of watts of tungsten or high discharge lamp sources.

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Screen shot showing the Alpha, Beta, Gamma and Browser windows of Capture Polar.

Capture Polar 3D Visualizer

It all starts with a great idea in your head.  Maybe you were at the bar, and you drew your thoughts out on a cocktail napkin. Isn’t that how all great designs begin? That beer-stained napkin may have helped you preserve that initial flash of inspiration, but when it comes to presenting our amazing visual ideas in all their detailed glory to the people who will be paying your fees, it’s a good idea to seek out a more professional-looking alternative.

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Beachsound has expanded from sound into lighting and video.

Beachsound & Lighting: From Sound to Lighting and Video

Like many in the live entertainment production industry, for Andre Serafini, it started with the music. In the late 1980s, he was a drummer/songwriter and part of an alternative/punk band called Quit, known for its 1990 album, Earlier Thoughts, which receive substantial air play on local radio stations. The Miami native gravitated toward the technical side of the entertainment industry, becoming a partner in Tapeworm Studios. With his many contacts and connections on the thriving local music scene, it wasn’t long before the gear he had been accumulating was being loaned, then rented, for a variety of gigs, and a major regional rental company, Beachsound & Lighting, was born.

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