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Eurovision Song Contest Rig Included 2,100 Moving Lights; More Than Five Miles of Truss

Eurovision featured Clay Paky Sharpy and other fixtures

Eurovision Song Contest Rig Included 2,100 Moving Lights; More Than Five Miles of Truss

 

DUSSELDORF, Germany — The semi-finals and finals competition for the 56th annual Eurovision Song Contest, broadcast from Düsseldorf Arena May 10, 12 and 14, was seen by 200 million via TV and Internet. LD Jerry Appelt used more than 2,100 moving lights and more than five miles of truss. The total fixture count — 5,638 — also set a record, as did the total load — 280 tons of gear.

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ArKaos GrandVJ 1.5

ArKaos GrandVJ 1.5

ArKaos’ GrandVJ 1.5 lets VJs compose up to eight layers of video on the fly and includes two major new features: Transitions and ArKaos Connect VST. The 37 new transitions are distributed across the following groups: eight Fades, three Blinds, six Masks, four Distortions, three 3Ds, two Pixelizations, seven Rectangles, one Slide, one Swipe and two Waves.

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GLAAD Media Awards

GLAAD Media Awards Supported by Scharff Weisberg, VAI

NEW YORK — WorldStage companies Scharff Weisberg and Video Applications Inc. (VAI) teamed for the third year to support Tencue Productions with audio, lighting and video for the 22nd annual Gay & Lesbian Alliance Against Defamation (GLAAD) Media Awards at New York City’s Marriott Marquis Time Square.

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Wing LED Wall Washer from Philips Selecon

Wing LED Wall Washer from Philips Selecon

The Wing LED Wall Washer from Philips Selecon evenly lights walls more than 3 meters in height without risking damage to exhibited items with UV or infrared radiation. There are two modules. The first is a “warm white” (50,000hrs, 69lm/watt) fixture, dimmable via local touch switch (cycle up/down) control or via Dali control, for a high quality white light. The second is a RGB/Tuneable White (35,000hrs, 29lm/watt) controlled via DMX (RDM address). It lets users fine-tune the color temperature and intensity, and users can match it to ambient light levels, warming as night falls, or switched to transform a space with vibrant color for special events.

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PR-5000 Beam

PR-5000 Spot, PR-5000 Beam

PR Lighting’s PR-5000 Beam (pictured here, with 6° beam angle) and PR-5000 Spot (wide beam angle; 10°-67° linearly adjustable zoom) are based around a 1500W Philips or Osram discharge lamp. Both fixtures have fast strobes, rotating and fixed gobos, DMX wireless receivers and firmware that can be updated via a computer.

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CBS Upfront for Two and a Half Men, photo by Matt Ellar

Pete’s Big TVs Adds Visual Boost to CBS Upfront

NEW YORK — How do you get to Carnegie Hall? Pete’s Big TVs/Performance Video got there recently because they’ve had lots of practice doing TV upfronts — TV network presentations of the upcoming fall season of shows. Upfronts give advertisers the chance to pledge their ad support ahead of time, and the media gets a preview of what’s premiering in the new season.

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