Upon Ragtime's official opening night performance at Broadway's Neil Simon Theater last November – when the curtain rose and the crowd saw fancily-clad Americans (in early 20th century chic) standing atop a three-story steel and wood set – the audience erupted in applause.
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I recently got an e-mail from the editor of PLSN asking if I would mind covering The Monsters of Folk show for him while he was out of town. Would I mind?! The band has just released its first self-titled album in September and had seen it climb to number 15 on Billboard's Top 200 list. Its members include M. Ward, a personal favorite. Its LD, Marc Janowitz, was a part of the design team for the Blue Man Group, another one of my favorite acts.
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Catering to a clientele that wants to see and be seen, Voyeur, an electronic music nightspot in San Diego's Gaslamp district, has been equipped with lipstick cameras placed throughout the venue, feeding imagery of patrons onto nearly two dozen plasma TVs.
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Highlands Community Church's "Inside Out" project in Renton, Wash., uses a HD video production infrastructure provided by Advanced Broadcast Solutions (ABS) for its expanding congregation, and also for a second, video-based service in Kent, Wash.
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Ross Ashton from E/T/C London created a series of three projection art works for the 2009 St. Andrews Festival, a three-day event. Two of the three works were projected on the ruins of the Cathedral of St. Andrews in Scotland, a structure that took 150 years to build and was completed in 1318.
Read More »Media servers typically support many types of still image formats. What are the benefits of using one format over another? Recently, while I was using an Apple Mac-based media server on a show, I asked myself this very question when I ran up against an issue involving the use of the Alpha channel. Here are a few reasons why I'm now a big fan of PNG.
Read More »I am very pleased to have been working as an automated lighting programmer for over two decades. I have learned many skills over the years related to lighting and I have also learned quite a lot about business. Most automated lighting programmers do not have a single salaried position, but they work for many productions each year.
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In the last 20 years we have seen more lighting consoles come on the market than I can remember. They all strive to achieve the same thing; talk to lighting fixtures, dimmers and media servers. They all get the job done eventually, but I've come to conclude that certain consoles execute some tasks well and others, not so much.
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Checkers Industrial Safety Products' low profile top-loading cable protectors are available in 1-, 2-, 3-, or 5-channel models. They are 1.25" high with a .75" channel height and feature Dog-Bone connectors for modular interconnectivity and storage.
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LONDON – XL Events stayed busy in 2009 with a variety of events, many of which presented unique AV challenges that had to be overcome. Highlights including the Wella ITV Awards (pictured here), Clothes Show Live, Speakeasy, REGIS, Samsung Corby Global Launch, Carphone Warehouse GP Event and the Mini United event at Silverstone Race Track.
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LONDON – White Light is supplying Vari-Lite's VLX LED fixtures for Eddie Izzard's Stripped touring rig. LD Keith Johnson specified the 28 of the units, primarily to light the audience in large arenas, and called the fixtures "very fast," "very bright" and "very reliable."
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NEW YORK – A-V Services has installed Vista Spyder video/widescreen display processors for three large video walls on the trading floors at Dow Jones's new midtown Manhattan space.
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