EAST RUTHERFORD, NJ — Traxon Technologies and e:cue lighting controls has named Matthew Burstein director of technical sales and project management. Burstein is a 20-year lighting veteran with experience in entertainment, event and architectural lighting and also theatrical lighting and controls.
Read More »I don’t understand why everyone doesn’t use a fly loop when they wire and fly their truss. In a nutshell, a fly loop consists of… Read More »Cable Management: Use a Fly Loop
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ORLANDO — Authors Richard Cadena, James Moody and Steven Shelley will be squaring off later this week — not in a boxing ring or octagon, but at PLSN’s LDI booth #1506 (Friday, Nov. 20, from 3 to 4 p.m.).
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PARIS — Robert Juliat celebrated its 90th Anniversary at SIEL-SATIS, and to commemorate the occasion, created a “museum” at the entrance to Porte de Versailles in which were exhibited an array of historic lanterns and lighting products.
Read More »VANCOUVER, BC — Hitachi Kokusai Electric America, Ltd. announced that Canada’s Olympic Broadcast Media Consortium, the Canadian broadcaster of the Vancouver 2010 Olympic and Paralympic Winter Games, will use 39 new Hitachi SK-HD1000 multi-standard, multiformat studio/field cameras for its coverage of the Games.
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MANCHESTER, U.K. — Pete Robinson from Manchester based lighting company DBN was asked to light and provide scenic elements for the 2009 Co-Operative Good With Food Awards and gala dinner, staged at Manchester Central (formally the GMEX).
Read More »In the 1950s, George Izenour designed an electronically-controlled line shaft system for the theatre at Hofstra University. It was a very flexible system in which the sheaves and blocks could be moved around using a matrix of bolt holes on a series of beams in the fly loft.
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Chauvet’s Iluminarc subsidiary may be less than a year old, but it’s scored a landmark coup of sorts: more than 400 Ilumipod 48 IP RGBW wash lights are being used for an LED light show on the Eiffel Tower as part of the structure’s 120-year anniversary celebration.
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PRG supplied both the lighting package and the screen automation for the recently presented 61st Primetime Emmy Awards at the Nokia Theatre. Production designer Steve Bass and lighting designer Bob Dickinson worked on a smoke-free design that reflected key elements of the television industry.
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When Los Angeles’ mega-club Playhouse held its soft opening, the crowd converged on Hollywood Blvd. was large enough to warrant intervention from the LA Police Department — one measure of the buzz surrounding the new $6 million venue.
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For MTV’s Video Music Awards (VMAs), staged live at Radio City Music Hall, LD Tom Kenny deployed a package of Coemar Infinity Wash XLs, Infinity ACLs and ParLite LEDs provided by Scharff Weisberg Lighting.
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For Ben Hur Live, staged recently at London’s O2 Arena, Patrick Woodroffe used a lighting rig of more than 200 Martin MAC 2000 Wash XB, MAC 2000 Profile and MAC III Profile moving heads to light a musical stage production involving a cast of 400 and scenes that include a ship battle and chariot race.
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