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Adlib Laughs Long and Loud with Mrs. Brown & Her Boys

Adlib Laughs Long and Loud with Mrs. Brown & Her Boys

[caption id="attachment_278660" align="alignnone" width="800"]Mrs Brown & Adlib’s Touring Crew together on set [/caption]

UK – The hilariously funny, successful Brendan O’Carroll comedy creation ‘Mrs. Brown’s Boys’ continues its popular live touring version, leaving a wake of smiles and laughs, with full technical production – lighting, sound, video, rigging and crew – supplied by Adlib. Adlib has been involved with Mrs. Brown’s Boys live since its very first theatre tour in 2000, and since then it’s become a multi award winning TV show and a massive arena live show phenomenon!

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Transcolor Lucjan Siwczyk in Poland Invests in More Robe Fixtures

[caption id="attachment_278657" align="alignnone" width="800"]On the left is Prolight’s Rafal Rzeczkowski, with TRANSCOLOR’s technical manager Szymon Kosicki[/caption]

WARSAW, Poland – Transcolor Lucjan Siwczyk, one of Poland’s major rental companies, is located in greater Warsaw, since 2010 in a substantial purpose-built warehouse and office complex complete with two large studios which are regularly hired out by TV production companies to record a range of series and programs. Television is a core market for Transcolor which also services other studios with lighting and video equipment – together with concert touring, special events and long term installations.

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Imero Fiorentino's memoirs have been published posthumously by his widow, Angela.

New Memoir Offers Look Into Life of Imero Fiorentino, ‘The Picasso of the Spots and Strobes’

NEW YORK –  Let There Be Light:  An Illuminating Life chronicles the life of Imero Fiorentino, a prominent lighting designer whose career spanned 60 years, a man dubbed by Newsweek magazine “the Picasso of the spots and strobes”. Known best for his work in television, Fiorentino was one of the pioneers in the 1950’s, designing the lighting for such shows as Pulitzer Prize Playhouse and U.S. Steel Hour.

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It's not always easy to take a 'bio break.' Photo of Hot 97 Summer Jam courtesy Stageline.

The Unmentionables

The set of skills one must master to work as an automated lighting programmer range from lighting knowledge to console syntax to organization, and much more. Most people are aware of the common abilities that a programmer must become proficient with in order to provide a great programming experience.

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DTS Brick

DTS Brick

DTS is an Italian company that designs, engineers, manufactures and distributes lighting products and lighting effects for entertainment and architectural uses. This month, they sent me a light that is perfect for any architectural application, but also can be used in any theater, concert or live event as a wonderful source for splashing color.

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CB cabinets were hung in a circular array at Roe’s InfoComm 2017 booth.

ROE Creative Display CB3 Video Tile

ROE Creative Display has been manufacturing quality LED displays for over 10 years. They have six different product lines now, with each one geared towards filling the needs specified by different scenarios. In 2016 ROE Creative Display unveiled their new Carbon line of LED displays, an ultra-light series of tiles that incorporates their own ROE carbon fiber technology in the tiles, making them an ideal product for touring.

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A Look at Vidvox.net’s Open Source Hap Codecs, and How They Work

Hap Video Codecs Grow in Popularity

A Look at Vidvox.net’s Open Source Hap Codecs, and How They Work

I’ve written about codecs in the past, and generally speaking, they more or less do the same job: compress and decompress video frames. And with new ones being created continually to address specific performance-related needs, it is not reasonable to definitively say “this one is best” without taking into account external factors like hardware, application needs, etc.

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Jason Rudolph

Jason Rudolph

Entertainment is certainly in Jason Rudolph’s DNA. As the fourth-generation member of the industry, he carries on his family’s rich legacy into new areas of technology. Having started out as a lighting programmer, his mix of projects these days is 95 percent visuals and media-based. He has a busy career as a screens programmer and producer as well as, at times, a video technical manager on massive live shows and televised events like the Oscars and the Super Bowl Halftime Show, music festivals, corporate events, and occasional concert tours and architectural installations.

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The indoor stage at the Bill Graham Civic Auditorium was one of many stages used for the event.

Colossal Clusterfest Goes Off Like Clockwork

Large Screen Video provides ultra-high-resolution video screens in the heart of San Francisco

Imagine that you’re in charge of the video screens and on-the-fly production for 50 acts in three days on eight stages—three outdoors and five indoors. Many acts arrive maybe half an hour before they go on and conduct shorthand explanations of what they want to happen behind them or alongside them as they perform. You and a crew of 30 work feverishly to keep things moving and pull off a flawless series of performances.

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ELO - Alone in the Universe, Wembley photo by Kris Goodman

ELO at Wembley Stadium

Jeff Lynne’s Spaceship Rises Again on Stageco Tower

His aviator shades, curly mop and beard may appear to be cryogenically frozen in time, but the renaissance of Jeff Lynne and his Electric Light Orchestra continues to move ever forward in popularity and — with assistance from Stageco — sheer physical size, as witnessed by 70,000 ecstatic fans at Wembley Stadium on June 24.

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