COPENHAGEN — Created in the mid-19th century, Tivoli is one of the world’s oldest amusement parks and Denmark’s most popular tourist attraction. Visitors come for the rides, concerts, parades, gardens, and, since 2002, the “Tivoli Illuminations,” a half-hour light show at the end of each day in summer.
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LONG BEACH, CA — The Toyota Grand Prix of Long Beach is a three-day event billed as the “World’s Fastest Beach Party,” drawing 180,000 spectators and featuring live concerts and a Lifestyle Expo with over 270,000 square feet of merchandise displays, interactive games and racing-related exhibits.
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JOHANNESBURG — LD Tim Dunn used 30 Robe ColorSpot and Wash 700E AT moving lights to light a three-night series of performances by Jesse Clegg at the Johannesburg Civic Theatre. Dunn used the 18 Robe ColorWash 700E ATs in the 1200 capacity theatre’s house rig, adding another 12 ColorSpot 700E ATs of his own supplied by Gearhouse South Africa.
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MIAMI — How do you say “Sweet 16 Party” in Spanish? La Quinceañera, but parents better plan for it about one year earlier than the Anglo equivalent of this coming-of-age celebration for a girl's 15th birthday.
Read More »LEICESTER, U.K. — Stage Technologies recently hosted an educational session at the Curve Theatre here. Some 90 students and tutors from RADA, LAMDA, Central School of Speech and Drama, Bristol Old Vic Theatre School and Rose Bruford took part.
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ORLANDO, FL —R&M Materials Handling, Inc. will be featuring the Stagemaker SM2 hoist at Infocomm booth #1653. The SM2 is designed for hotel ballrooms, churches, scenic arts, theatres, concert halls, clubs, exhibition halls and trade shows.
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LEEK, The Netherlands — Clay Paky, which introduced its Alpha 700s in Frankfurt earlier this year, recently sold its first order of the fixtures to AVL Concept, based here. The Dutch company, which specializes in the design, supply and installation of AV and lighting equipment, purchased 24 Alpha Spot HPE 700s and 16 Alpha Beam 700s.
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Last year, when Metallica was finishing a stadium tour and putting the finishing touches on their latest release, Death Magnetic, lighting designer John Broderick was preoccupied with other projects. The looming world tour meant that he was behind the proverbial eight ball.
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John Lennon once said of touring, “It was like being in the eye of a hurricane. You’d wake up at a concert and think, ‘Wow, how did I get here?’” A hurricane is an apt description of the touring world; all the elements combine to create an experience that envelops audience and artists alike.
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“Multi-Media” has just been redefined.
Some 17,000 people recently witnessed Star Wars brought to life on stage in London’s O2 arena. The event condensed 13 hours of films and music into a 90-minute event that combined video, an 86 piece orchestra and an 80 piece choir. It delighted everyone in attendance, up to and including the creator of the film, George Lucas.
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If there was a box in which we could put lighting designers who are creative, expressive, imaginative and intelligent, Willie Williams might be the first to be put in. And he would probably also be the first to break out. The artist and production designer is a master of re-creation, often the first to conceive an idea and the first to abandon it and move on to a fresher one.
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Software is the new frontier of lighting control. Advances in technology have made computers ridiculously affordable, powerful and readily available. The people who write code for them have harnessed that horsepower and put it to good use in our industry. Lighting control, for example, is making leaps and bounds, and DMXCreator software for the PC is a prime example.
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