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High End Systems to Launch SolaFrame 750 at PLASA 2017

High End Systems to Launch SolaFrame 750 at PLASA 2017

High End Systems to Launch SolaFrame 750 at PLASA 2017

LONDON – High End Systems will launch their new SolaFrame 750 automated luminaire at the upcoming PLASA 2017 trade show in London. The company’s Sola Series range of products, which includes the Spot, Frame, Wash and HyBeam lines, is the most fully realized offering of Bright White LED automated fixtures available. The fixture will make its debut on HES Master Distributor AED’s stand C30 at London Olympia on September 17th-19th. The SolaFrame 750 will also appear on ETC’s stand J30.

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SparkBlaster

SparkBlaster Non-Pyrotechnic Spark Generators

SparkBlaster indoor fountain machines create a cold spark fountain from a special granulate. The sparks exit the unit at a very low temperature, so this does not cause any fire hazard, unlike similar pyrotechnic effects. The SparkBlaster is fully DMX controllable through two DMX channels. The display at the back of the device shows the temperature of the heating device during heat-up period. When having reached the operating temperature, the SparkBlaster can emit sparks continuously, usually no re-heating time is required.

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Nook Schoenfeld, Editor, PLSN

A New Kind of Worship Experience

I don’t spend a lot of time in church as I am booked on shows most weekends or flying home Sunday mornings. But it’s nice to visit various house of worships when I can. I like to see what experience these offer to people as well as check out the latest production equipment being used at these facilities. I will tell you this, if you want to check out some of the latest lighting and video technology on the market, you may not have to go very far from your own house to find it. It could be in use at the church on your corner.

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LD Mikey Cummings

LD Mikey Cummings with Jason Isbell and The 400 Unit

TOUR DATES: U.S. to Oct. 15; U.K./Europe to Nov. 14; returns to U.S. in December.

THE DESIGN: “While there was some collaboration with the band and management, they have always expressed their confidence in us to translate the emotions of the music visually. Roger Gant and I had just three days of live programming and three days of rehearsal, in which we shot two videos.

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