Fresh Looks for a Unique Co-Headlining Tour
One of this summer’s best tickets for fans to spend their money on is the co-headliner of a set of artists who achieved that rare strata of both popular and critical acclaim, top forty titans Tears For Fears (TFF) and Hall & Oates (H&O).
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The “40th Anniversary Tour” Kicks It Up a Notch
For Tom Petty and the Heartbreakers’ 40th Anniversary Tour, lighting designer/director and set designer Stanley A. Green is at front of house, enjoying how the audience is reacting to tour visuals that have grown in size, shape and overall visual impact from previous tours. One index of the growth in production can be seen in the parking lots outside the arenas, stadiums and sheds on the tour’s itinerary: Yep, that’s 12 semi-trucks of gear.
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Roger Waters, the co-founder of Pink Floyd, is out on his “Us + Them” tour in support of his new solo album, Is This the Life We Really Want? His live set included five cuts from the new album, with topics ranging from President Trump, climate change and racism. Those things are magnified with the tour’s production visuals — which includes a massive video wall and a truss that lowers down from the rafters in the center of the arena to reveal a replica of the Battersea Power Station from Pink Floyd’s Animals record cover (including smoke chimneys).
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Mark Thompson Solved a Scenic Puzzle for Broadway’s Charlie and the Chocolate Factory
Broadway’s Charlie and the Chocolate Factory has been dazzling audiences with its fast pace, dazzling set pieces, and the buoyant energy of a nearly 40-person ensemble; notably, charismatic star Christian Borle as eccentric chocolatier Willy Wonka, who offers an exclusive tour of his factory to five lucky children.
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Tour: April-December: U.K., Canada, U.S., Europe.
Design: “It is all ‘big picture’ stuff. Other than my console, we are not carrying gear, so every night is a different show — it may be all par cans one night, moving lights the next or a mix of the two. I take a theatrical approach, trying to keep a consistent look for the Gipsys, lighting the stage of 11 musicians and highlighting vocals or a guitar break as needed. It’s not flash and trash.”
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“Attention all lighting manufacturers: Concerning the continuous rise in color temperatures in your discharge lights. Some of us LD’s still like the color red.”
This was a recent post on social media. The time has come to call out the system, the trend, the fact that almost everyone is sacrificing the LD’s right for a full color palette for more lumen output, higher CRI in LEDs and a native color temperature of 7,000° Kelvin in discharge fixtures.
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Lighting Co
East Coast Lighting & Production Services (ECLPS)
Venue
Agganis Arena
Boston, MA
