DAYTON, OH — The Chaminade-Julienne High School here recently received two 6mm pitch NanoLumens NanoSlim LED displays for its basketball gymnasium, donated by parents of students. The displays promise to enhance the AV capabilities for indoor events and also garner advertising revenues.
Read More »LONDON – LD Andy Hurst took the ‘less is more’ approach to light the first tour of 2012 UK X-Factor winner, James Arthur, who is backed by a six-piece band. Hurst relied on a gear package provided by HSL for a simple and scalable two-truss setup. On the back truss are a mix of eight Vari*Lite VL3000 Spots plus Martin MAC Auras. The front truss features another six VL3000 Spots, six MAC Auras and seven ETC Source Fours. The rig also includes six 4-lite Moles on the frond cord of the front truss and also 17 Robe LEDBeam 100s on the stage floor.
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TORONTO – Faced with staging a monumental production in front of millions of viewers in a mere 8 minutes, producers of the Super Bowl’s halftime show turned to wysiwyg to pull off the seemingly impossible.
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SOUTHSEA, Portsmouth, U.K. – For venerable Kings Theatre here, technical manager Nick Benjamin noted that the house followspots had failed to keep up with the intensity levels made possible by the theatre’s updated lighting rig. The theatre found Robert Juliat’s Victor followspot model to be the best fit with the venue’s needs. Pictured here from left are Nick Benjamin, and Sam Crook, London Light Technical Director, with one of the newly purchased Robert Juliat Victor followspots.
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LONDON – LD Nick Gray decided to also take a different approach in lighting the London Collections Men (LCM) main showspace by using 34 of Panalux’s Flobank units along the runway.
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LONDON – For the second year in a row, entertainment lighting specialist White Light was chosen to supply lighting equipment and production services for the Prince’s Trust Invest in Futures gala dinner, held on Feb. 6 in Central London. The event welcomed about 200 guests including HRH The Prince of Wales, Joanna Lumley OBE, Rob Brydon, Jerry Hall and Tom Hardy to the Savoy Hotel for a dinner reception and performance from Bryan Ferry.
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LONDON – Avolites Media Ai Media Servers formed the video delivery system for the elaborate £10million UK arena tour of Peter Pan: The Never Ending Story. Patrick Bellens of The Creative Factory used the media servers to bring a series of intricately designed videoscapes to life. The setup also helped the crew adjust and reposition virtual projectors from venue to venue without the need to re-render content.
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BRATISLAVA, Slovak Republic – LD Martin Kubanka lit a 22-minute game-opening preshow spectacle for the East vs West KHL All Stars hockey game at the Ondrej Nepela Arena (a.k.a. Slovnaft Arena) here with a lighting rig that included 100 Robe Robin Pointe fixtures. The preshow lighting design complemented video highlighting Slovakian folklore and history while also celebrating the first time that Bratislava has hosted a KHL All Stars event.
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Mantracourt’s BroadWeigh wireless load monitoring system is now available with a dedicated flight case, for 4, 8, 12 or 16 wireless load cell shackle systems. The lockable flight case is designed to protect and secure the gear during transit.
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LONDON – The UK and Ireland touring production of Wicked recently re-tooled its scenic and technical elements to keep the touring troupe’s production values as high as the West End version but its shipping volume low. To do that, the design team opted to eliminate the cables that fed moving scenic elements and replace them with wireless DMX products from RC4 Wireless, including RC4 LumenDim4 4-channel low voltage dimmers, RC4 LumenData receivers (both of which use LumenRadio CRMX rf technology) and SuperNova software from Lumen Radio. The production scenic lighting electrician on Wicked, Mike Ward, credited the setup as “totally stable from day one.”
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