LEBANON, UAE – Middle East technical production company Sound on Stage wanted to expand its operation from audio to include lighting. So they invested in Robe’s Robin LEDWash 1200 and 600s, MMX Spots and LEDBeam 100s to kick start their lighting rental stock.
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MUNCASTER, UK – Muncaster Castle has a reputation as one of the most haunted buildings in the UK. For their busiest Halloween ever, the castle has upgraded to version 5 of Dataton’s Watchout to ensure that the multimedia experience it offers is as compelling – and as scary – as it has ever been. Mirage Associates has supported the castle, advising on content and system setup. “The projectors are in custom-made, weather-proof housings, and there is one computer for each tower of the Castle,” explains Steve Selwyn of Mirage. “Each show is on a 20-minute loop, synchronized with audio and lighting, and is shown to an audience of between 200 and 600 people each evening. It is a huge enhancement to the Castle’s visitor experience.”
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LEXINGTON, KY – Rupp Arena wanted a spectacular launch for the Kentucky Wildcat’s 2012-13 season, so Bob Stoops, Technical Services Manager, contacted XL Video to specify and supply equipment and crew for a projection directly on to the 94×50 ft basketball court. As the court became a screen, the rousing video was the perfect introduction, and got the 23,500-strong crowd pumped and ready for the scrimmage.
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LOS ANGELES – Jackson Browne’s lighting director/production designer for four years, Steve Comer, is one who admits, “I had been looking for an LED hard edge light for a long time, and when the Spot One came along it was just the fixture I’d been waiting for.” GLP’s impression Spot One helps on the tour in various ways. Jackson Browne had wanted to go more green the past few years, and as his latest tour grew from a solo acoustic act to an ensemble, the stage called for a hard-edge beam to allow musicians to disappear behind Browne.
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MELBOURNE, Australia – Resolution X took delivery of the first Martin MAC Viper Profiles in Australia, and gave them their debut appearance on the AFL Footy Show Grand Final Edition. The sports TV show was broadcast live from Melbourne’s Rod Laver Arena. The Vipers were positioned on moving trusses upstage and were LD Rohan Thornton’s primary profile light and source light on the stage from behind. “Optically and from an intensity point of view they cut through all the other fixtures that I was using so they had pride of place,” Thornton said.
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SANDUSKY, OH – Robe’s ROBIN MMX Spots were an integral part of the new ‘Luminosity: Ignite the Night. Powered by Pepsi’ visual extravaganza at the Cedar Point Amusement Park on the Lake Erie peninsula in Sandusky, OH. LD Al Crawford of Arc3design specified the Robes, working alongside Lighting Director/EOS console programmer Zakaria M Al-Alami (Zak) on the project. The Luminosity show – combining lighting, sound, fireworks, lasers, DJs, singers and dancers and lots of energy – ran every night at the park through the summer months.
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LONDON – Haydn Cruickshank of Colour Sound Experiment (CSE) designed and supplied lighting for a showcase celebrating the birthday of Tennessee whiskey Jack Daniels at a cavern called Devil’s Arse in the Peak District, UK. One of the many challenges facing the production team was the 600-meter (656-yard) push from the truck drop through the treacherous terrain of the Castleton Village pathways and up the hill into the first cave. Access to the second cavern entailed the lighting crew crawling on their bellies along a passage less than a meter (39 ft) high with all the kit, negotiating rocks, walls and dripping water and dank odors.
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