PORTLAND, OR – The Portland Art Museum upgraded its 9,000-square-foot Kridel Grand Ballroom event space with a lighting upgrade that included Elation Professional Fuze Pendant LED downlights and Netron data distribution from Obsidian Control Systems.
LOS ANGELES – LD Tom Sutherland specified 326 Robe MegaPointes as part of the lighting rig for the 2021 season of American Idol. The live shows and final were produced by Freemantle Media and recorded on Stage 36 of CBS Television City in L.A.
The largest performance space of Brno City Theatre (Městské divadlo Brno), The Music Theatre, is a 680-seat venue that hosts a program of current musicals and large-scale drama. It was built in 2004 as the best technically equipped theatre in Europe. To maintain these modern standards, technical manager, David Kachlíř, recently added a Robert Juliat SpotMe tracking device to the venue’s lighting inventory, thereby increasing its existing complement of Robert Juliat products of three RJ Ginger followspots, Dalis 864 colored footlights and a number of RJ 600 and 700 series profiles. The RJ SpotMe device was supplied by Prague-based Prolight s.r.o., Robert Juliat’s exclusive distributor for the Czech Republic, as part of an improvement initiative to future-proof the theatre.
SpotMe is Robert Juliat’s award-winning server that produces real-time tracking information with no emitters or cameras on stage or performers. It uses feedback from sensors mounted on a tripod and followspot to coordinate moving lights with the movement initiated by a followspot and its operator – a perfect combination of high technology and human control in lighting design and operation.Read More »Robert Juliat SpotMe for Czech Republic’s Brno City Theatre
Opera America has created a special webinar series, Taking Care, that’s dedicated to the mental health of opera professionals. The first of these webinars aired on June 24 with practitioner: Beth Clayton, MA, CMHC and moderator: Jessica Jahn, costume designer. A large proportion of opera artists are currently under- or unemployed as a result of the COVID-19 pandemic. Many have worked to create their own opportunities, taking on the burden of being both a company and a collaborator by themselves. Still others are without work, trying to balance pursuing a career with other obligations to their families and communities. How can artists retain their sense of identity when unable to practice their profession? What are the best ways to cope with the additional burdens during this period? Will having a creative outlet beyond existing professional skills revive a sense of purpose?
In case you missed it, or would like to rewatch it, here is a video of that webinar:
ATHENS, TX – Gain Stage Productions supplied a variety of ADJ equipment to enhance the end of year recital hosted by dance studio I AM DANCE CO. in Athens, TX. The rig included ADJ Vizi CMY300, Vizi Wash Z19, 18P HEX and UB 12H fixtures along with ADJ Entourage units, Global Truss Totems and myDMX 3.0 for control.
SINGAPORE – AUX Media Group’s AUX Immersive Studio, the largest XR stage in Singapore, relies on Brompton Technology to help merge physical and virtual visuals with its powerful Tessera processing and Brompton HDR.
CANBERRA, Australia – Darren Russell of Elite Event Technology lit an outdoor awards event for the Australian Hotels Association with an assist from 46 Astera AX1 PixelTubes and 16 Astera AX5 TriplePars.