Rent All Pro delivered an impressive visual setup for Alejandro Fernández’s ‘De Rey a Rey’ Tour stop at the Honda Center in Anaheim. ROE Visual’s V8T and BP2V2 panels added visual depth and worked seamlessly with the lighting to complete the overall look of the production.
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FOR-A America has announced the appointment of Satoshi Araki to the newly created position Product Manager, IP. Araki comes to FOR-A America from the FOR-A Corporation headquarters in Tokyo, where he was an instrumental member of the company’s systems integration division, leading the teams’ integration efforts of all IP-related products.
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Elation is pleased to announce that Mainline Marketing has been appointed the new sales representative for Elation lighting products in Florida, effective June 1, 2025. The partnership also includes distributing lighting control solutions from Obsidian Control Systems and atmospheric effects from Magmatic.
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Lighting Designer Nathan Brittain from Houston-based LD Systems oversaw a major lighting upgrade for the live concert element of this year’s Houston Livestock Show and Rodeo – aka Rodeo Houston, staged at NRG Stadium – which included adding over 150 Robe moving lights to the rig.
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Tim Routledge became one of the first production designers to specify GLP’s new versatile and supercharged Creos – part of a cornucopia of lighting that animated Florian Wieder’s coruscating set design at this year’s Eurovision Song Contest (ESC) in Basel.
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Mike Steinbrecher joins ioversal as Director of Global Sales. With over 20 years of experience in media servers and real-time graphics, he brings a unique combination of technical expertise and international sales experience.
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ADJ is pleased to announce exciting plans for the 2025 InfoComm trade show, taking place June 11 – 13 at the Orange County Convention Center… Read More »ADJ to Deliver Immersive ‘AVL Experience’ at InfoComm 2025
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Hosted this year by Switzerland, the 69th Eurovision Song Contest took place on May 17 at St. Jakobshalle in Basel. Production Designer Florian Wieder returned to handle the Eurovision stage design for the eighth time. The lighting design was done by Tim Routledge with associate LDs, James Scott and Morgan Evans.
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The Eurovision Song Contest is now one of the biggest, brightest and most colorful live productions in the world, and the 2025 edition boasted the biggest rig in Eurovision history. Ayrton fixtures played a key role in Tim Routledge’s spectacular and ever-changing, metamorphic design.
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ANSI’s Board of Standards Review has recently approved two more in ESTA’s Technical Standards Program collection of Event Safety standards. ANSI’s Board of Standards Review also approved two rigging standards.
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The Obsidian Control Systems team is excited to showcase the new NXW control wing at the InfoComm tradeshow, taking place June 11–13 at the Orange… Read More »Experience Next-Level Lighting Control with Obsidian at InfoComm 2025
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Designer, Steve Lieberman of SJ Lighting, who has been lighting the Yuma Tent for years, described the setting this way: “Yuma is not a typical festival design. The approach is more immersive and follows the philosophies of nightclub design. His rig included a lot of CHAUVET Professional fixtures.
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