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Chris Lamb, 2015 Parnelli Lifetime Achievement Honoree

The booth design featured a banner requiring a bright, even wash of white light. Photo courtesy Siemens.

Lighting the Booth for Siemens at RSNA in Chicago

I have gravitated a long way from lighting pop stars live on stage, but the goal is still the same. Make the money look good. There is nothing more exciting than when the stage manager chirps over the walkie-talkie and says, “The show is yours, Mahoney.” I flip on my headset, make sure the spot operators are ready for their first cue, check backstage to make sure dimmer beach and pyro are both ready. After I get “okays” from all departments, I say, “Houselights GO!” The crowd gets loud, the lights go out and we all hit our first cues. “BAM!” We are off and running for the next 90 minutes.

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Nimlok Displays' design for Aclara

Trade Show Tips

Are you a good exhibitionist? Let’s try a little word association game. What thought comes immediately to mind when you see the words “trade show”? “Yippee!” or “Jeez, not again?” “A controlled strategic tool” or “royal pain in the hindquarters?” “Party time!” or “Expensive headache?”

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Freestyle Productions provided this video wall made from Daktronics 12mm LED panels for the 12-day Minneapolis State Fair.

Working the Fair Circuit

Throughout my career, I doubt I’ve ever met anyone who never worked a show at a fairgrounds. In fact, I know some acts who make the majority of their annual revenue playing sets at these venues. The same applies for vendors. Last summer alone, I played four different Midwest state fairs and used different light rigs from TMS, the lighting vendor out of Omaha, all within two weeks time. Every gig is different, and the only thing I expect from these venues these days is…the unexpected.

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LED vs Projection for Corporate Events, from blog posting by Upstage Video

Company Blog Poses Question for Corporate Event Video: LED or Projection?

POTTSTOWN, PA — Although the decision on “LED vs. Projection” for corporate events has always been influenced by what video gear is available, and at what cost, a proliferation of lower-cost, higher-resolution LED video options may be shifting the debate somewhat. While acknowledging that his company “mainly focuses on LED displays,” and that he “may be biased towards LED,” Upstage Video owner Doug Murray invited two other rental and staging industry professionals, Scott Williams from Quince Imaging and Brian Brooks from MB Video Productions, for their potentially contrasting views.

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Le Maitre to Debut New Smoke and Flame Machines at LDI 2015

Le Maitre will be unveiling two new Special Effects technologies at this year’s LDI, Booth 455. Le Maitre’s G300-SMART is a professional smoke machine, designed with the future in mind. This new machine features IoT capability via Wi-Fi, wireless set up and diagnostics, and an easy to read backlit LCD display. Also on view at LDI 2015 will be the X2 WAVE FLAMER,  a fluid based flame machine.

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AV Stumpfl's Wings Engine Raw is a triple-stream 4K uncompressed media server that uses a custom engineered RAID 10 system. It willbe featured at LDI along with other products.

AV Stumpfl Ready for LDI 2015

AV Stumpfl will bring the largest ever line up of innovation to LDI 2015. Making its Americas debut at LDI 2015, will be the Wings Engine Raw, a triple-stream 4K uncompressed media server that uses a custom engineered RAID 10 system (pictured here).

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Revo 4 IR, COB Cannon Wash Pearl and WiFLY Chameleon

ADJ Making Plans for LDI 2015

ADJ will continue to celebrate 30 Years of Pure Lighting Excitement as it returns to LDI with a series of game-changing products, all of which display the company’s recent developments in the professional production and nightclub/mobile entertainment sectors. They include the Revo 4 IR, COB Cannon Wash Pearl and WiFLY Chameleon (pictured here, L-R).

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