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A Chat with A.C.T. Lighting Founder Bob Gordon

Bob Gordon with Mickie Jones, bass player for Angel, circa 1977. (c) John Broderick

A Chat with A.C.T. Lighting Founder Bob Gordon

Bob Gordon has been a major player in the live concert business since the 1960’s.  While long known and revered as the founder of A.C.T Lighting, few realize the Bob spent the first half of his adult life on the road with touring acts as a lighting designer and production manager.  When it was time to get off of the road, he became an account rep for various light and sound companies.  

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The unit offers 16 layers in one rack mount

Blackmagic Design MultiView 16

There was a time in the not-too-distant past that video racks were big. Not because we needed room for all the blinky lights or Star Trek navigational gear. The reason was because video people, like our audio cousins, tend to be very …um…. thorough (read retentive to a fault).

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The drone pavilion, InfoComm 2015

The Little Drone Revolution

This column is the first in a series of articles about drones, professionally known as Unmanned Aerial Vehicles (UAV) or Unmanned Aircraft Systems (UAS). We’ll call them drones to keep things clear for our audio/video world, yet the following thoughts apply to each type of unmanned system — regardless of the acronym.

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VER Acquires U.K.-based Aurora Lighting Hire Ltd.

LOS ANGELES — VER acquired U.K.-based Aurora Lighting Hire Ltd., a lighting rental specialist serving the television, broadcast and entertainment media production industries. The acquisition represents the latest step in VER’s strategic plan to expand its industry-leading lighting capabilities and equipment inventory throughout the U.K. and Europe.

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4Wall DC was chosen as the lighting provider for Port City's FUSE Event

Port City Church’s FUSE Event Supported by 4Wall DC

MYRTLE BEACH, SC – Port City Community Church’s Annual FUSE summer camp brings together four campuses, over 500 students, and 150 leaders.  This year’s incarnation also brought exceptional stage lighting to the program with a rig designed by Student Ministries Production Coordinator Matthew Berry.  4Wall DC was chosen as the lighting provider for the event.

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AC/DC’s Rock or Bust Tour Rig Includes Clay Paky Fixtures. Photo by Ralph Larmann

AC/DC’s Rock or Bust Tour Rig Includes Clay Paky Fixtures

SAN FRANCISCO – AC/DC’s Rock or Bust Tour is thundering across North America, bringing night after night of head-banging delight to hundreds of thousands of fans. The grungy, buffalo horned, ‘Mad Max’ style arena spectacular is the inspired work of Ray Winkler of Stufish Design and Patrick Woodroffe of Woodroffe Bassett Design Ltd and sees lighting and set seamlessly welded together in an imposing corrugated steel clad domed stage.

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Vectorworks 2016

Vectorworks 2016 Released

Vectorworks, Inc., formerly Nemetschek Vectorworks, Inc., released Vectorworks 2016. The release includes more than 100 updates and features for its CAD and BIM design solutions, including Vectorworks Designer, Architect, Landmark, Fundamentals, Renderworks and Spotlight (pictured here). 

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Hozier LD Matthew Kilmurry Using Avolites Sapphire Touch

Hozier LD Matthew Kilmurry Using Avolites Sapphire Touch

BOSTON — LD Matthew Kilmurry is controlling Irish musician Hozier’s U.S. and U.K. tour lighting this autumn using an Avolites Sapphire Touch. Kilmurry’s design for the Hozier tour is based around a warm tungsten atmospheric feel, using old-school Edison bulbs dotted around the stage, which creates a warm glow for the performers.

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Roy Bennett’s lighting design for Maroon 5’s year-long World Tour 2015 in support of V, the band’s fifth studio album, includes 210 Ayrton MagicBlade-R fixtures. Photo by Todd Kaplan

Maroon 5 Tours with Ayrton MagicBlade-R Fixtures

LOS ANGELES Roy Bennett’s lighting design for Maroon 5’s year-long World Tour 2015 in support of V, the band’s fifth studio album, includes 210 Ayrton MagicBlade-R fixtures. Bennett, of Seven Design Works, used the MagicBlade-R units to delineate 13 jointed truss “arms,” which are suspended in a “V” shape above the stage to form a pivotal feature of the stage design.

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