GUANGZHOU – On Dec. 2, a group of 25 senior officials from Pakistan visited PR Lighting’s headquarters in Guangzhou, along with representatives of the Chinese National Commercial Dept. PR Lighting’s international sales team and Dave Liang, the president of PR Lighting, were on hand to welcome the visitors as part of their tour of the city.
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FORT LAUDERDALE, FL – Zimmerman Advertising, an ad agency with a client list that includes CBS, Office Depot, ADT, Dunkin Donuts, among other national and international brands, applied its bold marketing strategy to its own home office by creating an three-story image on the building’s façade, visible from I-95. It features a bright red reproduction of the Zimmerman “Z,” with a single Iluminarc Ilumipanel 180 IP LED fixture adding to the visibility of the giant letter. Sound and Lighting Solutions installed the fixture.
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PR Lighting has extended its XLED series with the release of the XLED 3007. Containing seven LEDs (4 in 1 RGBW), each rated at 20W, this is a larger version of the XLED 2007 and features a 6:1 zoom — one of many similar functions it shares with the company’s successful XLED 3019. And crucially, each LED is individually controllable.
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SYDNEY – Indie dance trio RÜFÜS recently embarked on their latest Australian tour, with lighting designers Matthew James Smith and Lynden Gare of Colourblind incorporating some Clay Paky A.leda B-EYE K20s into their production for one of the first times in Australia, impressing audiences with the fixtures’ never-seen-before effects.
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SPOKANE, WA — LD Seth Jackson recently used 14 of Robe’s CycFX 8 fixtures on the upstage truss for Alice Cooper’s Raise The Dead ’tour, which also included a number of dates as special guests on Mötley Crüe’s All Bad Things Must Come To An End farewell tour. The CycFX 8 units traveled in Tyler Truss sections and were used for scenarios where space was too tight onstage for any ground-rows to up-light the backdrop … as well as to provide a unique reveal ensuring Cooper’s show had its own distinctive look and feel. The CycFX 8s were supplied by Bandit Lites.
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CLEVELAND, OH – Vincent Lighting Systems (VLS) announced the launch of a new web store at https://shop.vls.com. The redesigned shopping platform offers expanded descriptions, more powerful search results and lower prices on its most popular items.
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LOS ANGELES — The original spot for the 1980s/1990s nightclub, The Roxbury, the namesake for the Will Ferrel-Chris Kattan film, A Night at the Roxbury, is now occupied by a new meeting space, Project LA. (The Roxbury’s owner has since reopened another club, also called the Roxbury, at a different location a few miles away). For Project A, V Squared Labs’ Vello Virkhaus provided a design that includes Martin VC-Strips.
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BERLIN, Germany – More than one million visitors came to the German capital on the weekend of Nov. 9 to celebrate the 25th anniversary of the fall of the wall in Berlin. One of the many highlights of the events planned to celebrate this occasion was the festival held at the Brandenburg Gate. Here the focal point – besides stars such as Udo Lindenberg, Peter Gabriel, Clueso and the Fantastischen Vier – was a gigantic LED video wall from XL Video.
Read More »The lack of a single source for video design, management and playback has thankfully changed, and now video designers have some very powerful pre-visualization/media server… Read More »Pre-Viz Options Expanding for Video Designers
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COPENHAGEN, Denmark – Greenpeace launched a highly visible and eye-catching campaign at the the Intergovernmental Panel on Climate Change’s gathering in Copenhagen, Denmark using SGM’s G-Spot LED moving head to project onto four wind turbines. Greenpeace’s project leader Esben Sloth explains: “We wanted the light projection to be very accurate, with sharp lines and figures, in order to make the wind turbines look like a graph.”
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LONDON – Embracing the “less is more” approach, LD Mark Wynn-Edwards is lighting electronic duo Lamb with just 11 Robe Pointes. His lighting inspiration came from the stark monochromicity and ‘reality’ of black & white cinema, and much of the set is lit in white. “This show is really all about lighting the ‘negative’ spaces on the stage,” he says.
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