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Hi there, I’d like to introduce myself!!!

Hi there, I’d like to introduce myself!!!

Hello to everyone who is reading this blog! My name is Tony Caporale; I am 24 years old and have been working as an exclusive lighting director/ designer/ programmer/ videographer for a band named EastonAshe for three years. Here’s a rant on my background and how the hell I ended up doing what I do. I basically went to college following the footsteps of my older brother Brian who happens to be a freelance Cameraman. I also got some direction from a close family friend Tim Walbert who is a video director from WWE Entertainment. So I pretty much went on to get my degree in Electronic Media and Film with a TV production focus from Towson University in Maryland.

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Other Duties

Being a lighting designer often brings up a whole slew of duties that one would not expect to have to look after. I get calls about what outfits the rock stars should wear on stage to questions about where they should be standing when playing their big rock god solos.

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The Little Things: The Art of the Gig Bag

Almost everyone of us has a workbox or gig-bag that goes out with us to every show.  What form your gig-bag takes can vary quite a bit.  For an international man of mystery or hot shot Video Director, it may be a simple computer bag, with your favorite kewpie doll sharing a compartment with the most important weapon in your arsenal, your laptop.  On the other end of the spectrum, the road-hardened lighting tech may have a twelve-hundred pound fully-customized thirteen-drawer double-hardened triple-galvanized welded-steel-frame road case that is designed with the perfect truck pack in mind.

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A Window Onto Worship

Pinnacle Hills Installation Brings Church Out of the Box

Think show-stopping effects and state-of-the-art design elements are reserved for big-time Broadway shows or Hollywood sets? The Church at Pinnacle Hills in Rogers, Ark. begs to differ. After two years and exhaustive team effort devoted to the staging installation in its new 3,000-seat worship facility, church leaders and community members alike are enjoying a high-tech, TV-ready church that boasts an integrated and responsive theatrical system as it helps to redefine production values in worship. 

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The Captain is no Longer a Kid

Elton John’s Tour Reflects 30 Years of Touring

Elton John’s idea of celebrating the 30th anniversary of the number one platinum-debuting album Captain Fantastic & the Brown Dirt Cowboy is to play a series of shows. With the more recent re-release of the follow-up CD to that album, The Captain & the Kid, his newest tour serves to promote the new release and closes the book on the celebration. PLSN caught the first two nights of the tour in Northern California where he debuted the album and new tour while taking a break from his on-going Las Vegas Red Piano show. We spoke with lighting designer Kevin “Stick” Bye about the show. 

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Nook’s Big Three

Lighting theories for the working designer

This New Year’s Eve I was in Rio with LD Alex Skowron lighting the Black Eyed Peas as part of a worldwide celebration Nokia was throwing in six cities. English LD Dave Hill designed the same lighting rig for six different festivals in separate time zones with different directors. It’s a TV thing. I imagine none of them looked close to the same, and that’s the beauty of this project. Everyone has their own style of lighting events.

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Look Up, Look Down, Look All Around; Your Show is falling Down

Just the other day I was driving along, just another contestant in the rat race, navigating all those little mazes, when all of a sudden, out of nowhere, a car that had been driving along in the lane right next to me swerved into my lane and almost rearranged my left front fender. The little rat that was driving had decided to make a U-turn, and he swung very wide to make the turn, very nearly denting my chariot. He looked left and swerved right when he should have looked right and stayed left.

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