ARGYLE, TX – This is big. No seriously…this is HUGE! Bristol Motor Speedway will soon be home to the world’s largest outdoor, permanent, center-hung digital display. Fittingly named “Colossus,” the screen – comprised of 8,694 square-feet of state-of-the-art digiLED Toura 6mm LED panels – will give race fans an unprecedented audio-visual experience when it debuts later this month.
Read More »
LONDON — Prolyte launched its Verto truss at Prolight + Sound in Frankfurt and invited attendees to take the Verto Speed Challenge. The Verto truss is based on a new principle of truss connection, where the sections are joined by a rotating coupler system.
Read More »
LONDON– Lumiere London lit up the winter streets of the capital this past January with an installation of 30 illuminated artworks by a contingent of international artists. Two of the installations, at Oxford Circus and on the BAFTA façade, featured d3 Technologies’ creative solutions deployed by QED Productions.
Read More »
CAMARILLO, CA – Green Hippo added Cory Froke to the Green Hippo U.S. team Froke, based in Burbank, CA, will work as Product Specialist for Green Hippo. Froke brings experience in both lighting and AV to Green Hippo, having previously worked at PRG Nocturne / PRG Concert Touring, Chaos Visual Productions, DWP Live and Entertainment Lighting Services (ELS).
Read More »
FRANKFURT, Germany – PRG’s impressive Highlight Show in the Festhalle at Prolight+Sound has become an annual tradition of sorts. For 2016, first show coincided with the LEA Awards on April 4, before the PL+S show floor opened. A laser display accompanied a performance by the group, Glasperlenspiel. In the days that followed (April 5-8), the highlight show appeared every half hour while the show floor was open. All laser systems on the PRG Stage were manufactured by the Laserworld Group
Read More »
Christie’s HS Series 1DLP laser phosphor projector, featured at InfoComm China 2016 (April 13-15) marks the debut of Christie’s new lampless projector series in the Chinese market since its official introduction in January..
Read More »
Everybody who has a valuable skill, or even motivation, will be asked to donate time and effort at one juncture in time. The entertainment biz is no exception.
Read More »
I recently came across a great article outlining how working in theatre while in school prepares you for adulthood, and I started thinking about how my time in college theatre had helped me on my career path in lighting. Today, as I find myself more and more involved with the world of video, I realize that working with media servers has helped me be a better lighting programmer too. How so?
Read More »
There is a saying that big things come in small packages. Measuring in at a whisper over 12 inches long and 4 inches wide, the new HD video switcher from Roland is proof of that. This sophisticated-yet-compact video switcher combines professional compositing features such as keying, graphic inserts, titling and numerous visual effects with the ability to connect to a variety of HDMI sources, smart phones and video cameras…even a 12 channel audio mixer. Safe to say, this switcher can manage a lot.
Read More »
For this year’s Grammy Awards, held on Feb. 15, the National Academy of Recording Arts and Sciences asked Lady Gaga to perform a tribute to the late music legend David Bowie, who died Jan. 10 at age 69. Gaga, her creative team at Haus of Gaga, along with creative collaborators at Prettybird and Studio XO, merged music and technology for a performance that evoked Bowie’s defining talent as both a visual artist and musician.
It’s hard to remember a time when video wasn’t part of the live event landscape, though Danny O’Bryen sure does. He was there. As a kid, O’Bryen’s first gig in the business was plastering Boston with concert posters for $50 a day. This led to some live event work and then, wisely, he dabbled in video in the earliest part of the visual revolution..
Read More »According to Merriam-Webster’s dictionary, “Ballyhoo” is defined as “a noisy attention-getting demonstration or excited commotion.” Every automated lighting programmer has created ballyhoos for a production at some point in his or her career. In the lighting world, ballyhoos were first invented by asking followspot operators to swing the spots around in a figure eight motion on the stage or house curtain. Now, with automated lighting fixtures and consoles, ballyhoos can be as simple as the press of a button or complex programmed sequences. Although a ballyhoo might seem like a simple task, there are many things a programmer should take into consideration.
Read More »