German singer/songwriter Kim Petras’ latest tour, ‘Feed the Beast,’ feels more like a play than a concert as it is broken into six distinct acts, and, as Lighting Designer Ricardo Rojas notes, each needed its own lighting approach.
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Production and Lighting Designer, Tobias Rylander invites us inside the two-story house set he designed for the Manchester, UK-based art rock band, The 1975 in support of their ‘Still… At Their Very Best’ tour.
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Tom Sutherland of DX7 Design and Ray Winkler of STUFISH Entertainment Architects take us onto the starting grid for the massive opening ceremony of the Formula 1 Las Vegas Grand Prix.
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Show and Design Group, Pyrotecnico, PyrotecnicoFX, and Guardian Barrier Services share their view on supporting the ‘Only in Las Vegas’ Formula 1 race.
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We spotlight the remarkable story of this year’s Parnelli Awards Lifetime Achievement Honoree, Jim Brammer.
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Step inside, if you dare…learn how old Hollywood came alive in the immersive walk-through horror experience, ‘Angel of Light’ at the historic Los Angeles Theatre.
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Laura Frank shares an excerpt from her insightful keynote speech, “Fearless Collaboration: Why the Next Generation is Essential for Success.”
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Production Manager Jesse Sandler, currently working with Phish, was Production Manager for Bon Jovi for a decade and has also worked for Nickelback, Prince, and Michael Jackson.
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Denny Rich describes a touring career journey that began in his late teens, included the complexities of complex and unique tours like ‘Roger Waters: The Wall,’ and continues in a post-pandemic environment where finding ready and able crew members continues to be a significant challenge.
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Gary Fails took his well-deserved bows at the end of 2023 when he retired from City Theatrical, a company he founded 37 years ago.
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Debi Moen gives us the scoop on Goosemas in Space, Lee Rose, and Libby Gray.
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Chris Lose explains why he feels his real client is always the audience.
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