Shania Twain’s new show, Still the One, began its two-year, 110-show residency at Caesars Palace in Las Vegas on Dec. 1, 2012. During the 100-minute, 18-song show, the venue’s 34-by-109-foot-wide 11mm HD LED screen is used to display a variety of images — from kaleidoscopic abstractions to clips featuring Twain, a Wild West saloon, leopards and a campfire scene in a forest.
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Until recently, projection video and LCD video displays were easily perceived as two distinct silos, separated as much by scale as by technology. Sure, a 50-inch LED-backlit LCD panel looked equally impressive in either a sports bar or in someone’s living room, but it was an entire league away from a 20-foot diagonal HD projection. But then LCDs began getting bigger and better — LG’s 100-inch screen leapfrogged Sharp’s 84-inch and then 90-incher, after which Sharp fought back with a 108-inch Aquos — and Christies tile-based video walls can scale to sizes almost as wide as can be imagined, all while substantially outshining projection video and at a competitive cost.
Read More »We are fortunate that we live in a world filled with millions of different hues, shades and variations of color. Lighting engineers have provided us with the ability to adjust the wavelength of light coming from automated lighting fixtures so that we can create a multitude of colors on stage. Lighting programmers are always working with color, and the consoles we program on a daily basis continue to provide us with more and more abilities to adjust the color outputting from our lighting instruments. Early automated fixtures simply provided a fixed color wheel with twelve or so colors to choose from. Today, most fixtures include very sophisticated color mixing system as well as fixed and special effect color adjustments. It is up to the programmer to understand the color mixing processes that fixtures and consoles employ so that they can create the looks desired by the designer or production.
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Sydney-based Mandylights lighting designers Richard Neville and Alex Grierson were part of the international creative team that designed Dubai’s 2013 New Year’s Eve celebrations. And it was a tall order — instead of focusing on, say, the 141-foot descent of an elaborate ball in Times Square, the 25-minute show took place in front of, and included, the Burj Khalifa skyscraper — officially the world’s tallest building at 2,722 feet high. The pair illuminated the Burj, lake and surrounding area with 15 individual performer stages and a 689-foot-long (210 meter) seamless projection screen.
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LONDON – Automation specialist Kinesys strengthens its marketing team with the appointment of Nisha Suthar as marketing & communications assistant. She previously worked as a marketer for a leading publication, MoneyWeek Ltd. and prior to that has a journalistic background which includes working at the BBC Local London News.
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LONDON – LD Patrick Woodroffe used a variety of Clay Paky fixtures for the Rolling Stones’ four dates performed in December 2012 for their 50th Anniversary tour. London-based lighting company Neg Earth supplied the lighting equipment.
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LONDON – The Teenage Cancer Trust held its regular series of fundraising shows in March at the Royal Albert Hall in London. Supporting the charity, XL Video supplied LED screens, an HD camera system, recording and control for the series of seven events which were curated by Noel Gallagher.
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FORT WAYNE, IN – Apollo Design Technology, Inc. recently named Alex Tollington, pictured left, engineering manager. Apollo also promoted Brett Zellers and Crystal Mulkey. Zellers will oversee business development for the company on the East Coast. Mulkey was named customer service representative.
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DALLAS – Philips Strand Lighting is now shipping the Philips Selecon PLProfile1 and PLFresnel1 LED luminaires across North and South America. The PLProfile1 LED luminaire is a variable beam profile that produces precise beam control and pattern projection from a high output beam. The PLFresnel1 is a general purpose luminaire for theatre, small studio and display lighting applications with a quick selection of color presets.
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