The DLV, the newest fixture in High End Systems’ line of digital lighting fixtures, combines media server technology with a 4,000-lumen projector in a compact yoke luminaire designed for small venues like clubs and theatre. Based on the same software platform as the larger DL.3, the DLV programs and operates with very few differences from the DL.3.
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The Japanese Band’s big show at MSG got an assist from PRG
The Japanese group L’Arc-en-Ciel is celebrating its 20th anniversary with a world tour and making some concert history along the way. They became the first Japanese band to ever headline at New York’s Madison Square Garden (MSG) with their sold-out performance on March 25, 2012. Starting off the final leg of their world tour at MSG is a daunting undertaking — doubly so when you are starting off your first show with a brand new set, lighting, and video. The group decided to bring in concert touring production manager Tom Hudak to handle the Garden performance as well as the subsequent European dates and some of the Asian tour stops. PLSN spoke with Hudak about the MSG show.
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Bamboo Group, known worldwide for its trend-setting 100,000-square-foot nightclub in Bucharest, Romania, recently opened the doors to a 27,000-square-foot, 950-capacity nightclub in the space previously occupied by the Paris Theater in Miami Beach. (The capacity, limited by a layout dominated with VIP tables and couches, will expand when additional seating areas open with the second floor mezzanine and patio later this year.)
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Lighting Helps Turn Bayfront Restaurant into Hot Nightclub
It still is what it is — a neighborhood spot were Miamians can hang out in a family-owned restaurant, which it’s been since 2007. But expansion and a big vision fueled an evolution for the owners of Off the Hookah where the dinner plates are put away and hot nightclub is revealed — all in plain sight. Read More »In my day-to-day world, I teach some fairly high-tech classes in the digital projection realm, and the students who take these classes come from a wide range of technical backgrounds. For the most part, it’s a very tech-savvy group — eager to learn, and highly skilled in networking, troubleshooting, preventive maintenance and operations. This group is also very comfortable with new concepts and the methods required for setting up digital equipment.
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HD to SDI, SD to SDI, VGA, YUV, RGB, HDMI, 3G — I find myself converting a lot these days. Because of the plethora of video signals that have developed in the last few years, techs, roadies and designers are having to come up with creative ways to get signal from point A to point B — on time and under budget.
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LD Robert W. “Bob” Peterson and lighting director Chris Stuba are shining the lights on the 50th anniversary world tour of The Beach Boys. To call this tour “long awaited” would be an understatement — it’s been 45 years since the surviving founding members of the Beach Boys last toured together.
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Over the last 10 years, the live entertainment business has been overrun with video panels. We have high res, low res, 6mm to 80mm, cubed-shaped and cylinder shaped — heck, they have video elements that roll up into a truss like your overhead garage door. I like to play with all of it. But the problem I notice is that, no matter how high your screen’s resolution, it never looks as good as a well-projected image.
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