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Qube Cinema Launches Qube KeySmith at NAB

Qube Cinema Launches Qube KeySmith at NAB

LAS VEGAS, NV – Qube Cinema is demonstrating Qube Keysmith, its new digital key management and reporting application, at NAB 2011. Built on technologies proven in years of use by parent company Real Image, Qube Keysmith allows filmmakers, production companies and post houses to encrypt Digital Cinema content with Key Delivery Messages (KDMs) for exhibitors. As a result, a new generation of companies and facilities can now offer full Digital Cinema distribution services for anything from film festivals to full theatrical releases.

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GDS Appoint Nick Read to Head Up New GDS Specials Division

UK – GDS announces that Nick Read has joined the company as Head of its newly created special projects division – ‘GDS Specials'. Nick has over 22 years experience in the entertainments industry and brings with him wide range of skills, working recently as the head of hire and events for Northern Light and previously running his own successful hire company. With an electrical engineering background he also boasts experience as a project manager, overseeing the €1m technical-build of Wexford opera house. He has worked around the UK and Europe as a freelance engineer and lighting designer, toured with and brought numerous shows into the West End and worked as a production electrician for major theatre companies, on many of the largest show in London.

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Staying (and Tweaking) the Course

Thank you to everyone for the warm welcome to PLSN. It is an honor to take the helm of one of the industry's most respected magazines and news sites. As the new editor, I want to introduce myself and tell you a little about what we have in store for you.

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The Belasco Theatre: Pushing Past 80, Gracefully

David Flad of Q1 Designs recently teamed with 4Wall Los Angeles to light the interior of downtown LA's Belasco Theatre. The lighting design and implementation was one of the final stages of the three-year renovation of the 80-year-old venue. Set in a central location not far from Staples Center, the Belasco was renovated so that it could host variety of entertainment events. The challenge for Flad and his team was in making sure the lighting was versatile enough to support a variety of needs.

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All Access Shoots, Scores with NBA All-Star Event

On one night in February, at the L.A. Staples Center, what happened on the court was more than mere basketball. And here's a clue: If the word "Star" is in the event title – as in NBA All-Star 2011 – the stakes are going to be high. For the 60th time the celebration has been staged, the producers turned to All Access Staging and Productions for an assist.

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IATSE Local One Celebrates 125 Years

"IATSE Local One is the oldest entertainment union in the U.S.," declares Robert Score, the organization's recording-corresponding secretary. Founded in 1886, members that year held a torchlight procession down Broadway to Union Square with 25,000 others demanding an eight-hour day and the end of the child labor. Meanwhile, the best-paid stage employees of that era worked for 50 cents a day, and men employed typically put in up to 100 hours per week.

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Steve Cohen and Billy Joel’s “Last Play at Shea”

Shea Stadium is so deeply woven into the fabric of New York City's social history that even tearing it down didn't make it go away. New York's equal part loving/maddening relationship with the Mets baseball team is augmented by its profound rock ‘n' roll history. It is, after all, where the Beatles played in 1965.

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LD Pat Collins and “Good People:” The Art of the Appropriate

While most Broadway musicals seek to razzle-dazzle us with big numbers, flashy lights and glitzy sets, many dramas seek to bring us down to reality and delve into the lives of ordinary people with less fanfare. The funny thing is that often in order to immerse us more in the real, the craftsmen at work on straight plays need to incorporate much of the technology that is used on more over-the-top shows. In the case of Good People, technology and realism struck a solid balance.

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Clifton Taylor and the Fall for Dance Festival

Clifton Taylor Provides a Multi-Purpose Lighting Rig for LDs at New York's Fall for Dance Festival 

 

PLSN: In your opinion, what is the basic difference between a lighting designer and a lighting director? You have both of these titles.

Clifton Taylor: The lighting designer is the person who conceives of the lighting, works with the choreographer and comes up with the conceptual basis for the lighting choices. The lighting director is the person who works for the company, and it is her job to recreate the lighting wherever the company performs.

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LumenRadio CRMX Nova FX RDM

LumenRadio recently announced availability in the U.S. of their latest wireless DMX/RDM/Ethernet device, the CRMX Nova FX (Flex) RDM. The CRMX, or Cognitive Radio Multiplexer technology, is an automated and adaptive wireless technology that was designed and developed specifically for the lighting industry. It adapts to its surroundings to maximize performance and range while minimizing interference with other systems.

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