In keeping with NYC post-punk band Interpol’s cool, brooding image, Ed Warren’s lighting carried a cutting edge, spartan quality. The stripped back design employed 21 Ayrton laser-sourced Cobra fixtures – Warren’s only moving lights – in what Warren terms an ‘extremely considered and precise’ show.
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For the first time in its over 50-year history, the annual “Dick Clark’s New Year’s Rockin’ Eve” TV special had an all IP rated lighting rig. The Lighting Design Group used a 4Wall Entertainment supplied rig for the five-hour broadcast that included COLORado Solo Bar 6, Maverick Storm 4 Profile and Color STRIKE M fixtures from CHAUVET Professional.
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A new lighting system comprised predominantly of ADJ fixtures was at the heart of the complete renovation of the well-established Acqua Lounge in Lawrence, MA. The project, carried out by Tirso Lighting, saw the late-night entertainment venue redeveloped with a new layout, interior design and AVL system.
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Gateway Studios & Production Services (GSPS) delivered a show-stopping experience for Will Ferrell’s Ultimate DJ House Party at Chicago’s Wintrust Arena. Tasked with creating an immersive nightclub atmosphere in a 10,000-seat arena, Gateway’s team provided comprehensive lighting, audio, and video services that elevated the event.
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HARMAN Professional Solutions announced the launch of its Martin VDO Sceptron XB – a compact, high-performance LED pixel-batten, designed for both lighting and creative video applications. Descending from the iconic Martin VDO Sceptron family, the new VDO Sceptron XB inherits all the family’s most popular benefits such as user-friendly mapping, simplified diffuser and lens exchange, and a wide range of available rigging accessories.
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