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GLP helps 50 Cent create Vegas-style New Year Party

GLP helps 50 Cent create Vegas-style New Year Party

When 50 Cent set a six-date residency at Planet Hollywood’s PH Live auditorium in Las Vegas during the festive season he set out to create a retro party atmosphere. Assisting him was a top creative team that included experienced lighting designer Nate Files and production designer Kley Tarcitano. It was Files first time working with both the artist and GLP’s new JDC2 IP hybrid strobe.

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National Youth Music Theatre Counts on Cameo

When the National Youth Music Theatre (NYMT) in London performed three musicals at London’s Southwark Playhouse Theatre–Into the Woods, Catastrophe Bay, and Our House–with three different lighting designers all shared a few things in common, the joy of working with young people on and off the stage – and a lighting rig consisting of various Cameo lights.

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No anxiety on ‘Dear Evan Hansen’ in Sweden with Ayrton Rivale Profiles

Dear Evan Hansen, the award-winning musical about a high school senior with social anxiety, received its Swedish premiere in Stockholm in January and is currently running at the Intiman Theatre. The show has been beautifully and creatively lit by renowned Swedish lighting designer, Palle Palmé, using only Ayrton Rivale Profiles, exclusively distributed in Sweden by Topstage.

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Squeek Lights Invests in Elation PARAGON

New Jersey-based Squeek Lights has expanded its inventory by adding Elation’s new PARAGON LED profile moving head, becoming one of the first rental companies in the U.S. to stock the award-winning fixture. With the acquisition, Squeek Lights currently has the largest inventory of PARAGON lights in the U.S.

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Happy St. Patrick’s Day with a Parnelli-winning Irish Flashback

On this St. Patrick’s Day we give you a flashback to U2:UV Achtung Baby, Live at Sphere. Working with longtime collaborators Willie Williams, Stefaan “Smasher” Desmedt, and STUFISH Entertainment Architects, among others, the show’s production was realized by the longtime U2 veterans as well as new creatives and vendors. The production won two Parnelli Awards: Video Director of the Year and Media Content Creator of the Year.

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