WASHINGTON, D.C. – The U.S. Department of Housing & Urban Development has upgraded its Brooke-Mondale Auditorium with a Vista Systems Spyder image processor supporting a Christie MicroTiles videowall.
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TEMPE, AZ — As part of the renovation of the historic Bulpitt Auditorium, Phoenix College chose NanoLumens to supply two 5mm NanoSlim displays, each measuring 181” diagonally.
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NEW YORK CITY – LMG, a national provider of full service technology solutions, recently provided video, audio, LED and lighting support for the 2014 Discovery Upfront. The goal was to produce a massive multi-media canvas on stage for each network to customize their unique visuals for the audience. To create this canvas, the design involved a large 17’ x 51’ raised center screen, to showcase the true HD media, surrounded by a backdrop of high resolution 11.25 MM LED tiles that enhanced the content, and could be used to create a larger canvas of images supporting the visuals of the main screen.
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KVLA Television in Huntington Beach, California has recently added two new studios and is using LED strip lighting from Elation Professional to color the sets. ELED QW Strips and Cuepix Strip Tri’s were used for the project.
Read More »Kramer Electronics’ new VS?62H dual-output fully-automated, 6×2, HDMI matrix switcher is a 4K router with a total data rate capability of 8.91Gbps (2.97Gbps per channel) supporting Ultra HD (4K) signals.
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NASHVILLE — Audio, video and lighting production was provided by Elite Multimedia Productions for this year’s K-LOVE Fan Awards celebrating Christian music. EMP used a variety of gear to enhance the Fan Zone experience. Visuals included a FLEXCurve LED video screen created by PixelFLEX, ETC Source 4 Lekos, Chauvet Color Battens and Slim Pars and a GrandMA 2 Lite Console. For the Fan Zone Music Stage, a Digidesign Venue SC48 was at front of house with Yamaha 5D monitors. A PixelFLEX FLEXCurtain LED wall, Martin Mac 700’s and PixelFLEX CM12 lighting fixtures were the foundation of the visual production.
Read More »Liga TV, Hungary’s leading outside broadcast company, has equipped its newest HD OB van with a Riedel solution including the Artist digital matrix intercom, Acrobat digital wireless intercom, RiFace universal radio interface, and MediorNet real-time media network.
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BERLIN – Lighting the way for the victorious German World Cup team, GLP impression X4 fixtures were used in front of the Brandenburg Gate and along the Fan Mile.
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Astera’s Lightdrop (AX3), which replaces the Lightdrop (AL3-M), has Cree LEDs, Samsung batteries and optional CRMX Wireless DMX from LumenRadio. Equipped with a 15W Cree LED chip with a 13° beam angle, the AX3 is twice as bright as its predecessor. Its diffusor dome lets this spot fixture be used for uplighting, and the fixture also comes with an adjustable bracket. As with the AL3-M, the AX3 has a magnetic underside so it can easily attach to metallic surfaces.
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For his five dance pieces in Nanyan Academy of Fine Arts’ graduation show, LD Jonathan Sin chose the Source Four LED Lustr+ luminaires as sidelights to support the tungsten Source Four fixtures in his design. “This decision allowed me to have very flexible color-changing options while minimizing the rig on my side booms to four fixtures per boom,” describes Sin.
Read More »Creative Stage Lighting has recently hired Ethan Aberg and Ransom Cooke as regional sales managers. Aberg will be in the position of Western Regional Sales Manager while Cooke will be Southeastern Regional Sales Manager. They will be responsible for building and maintaining CSL wholesale client relationships.
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LD Richard “Shaggy” Ehmcke relied on an Avolites Titan Mobile console for this year’s Summerland tour by Everclear, Soul Asylum, Eve 6 and Spacehog. The console’s small size and ability to switch out programming for different fixture types is what sold him on the Titan. “I’m not carrying any lights at all, so I’m putting the console itself and my mind through paces. So if today’s an all-LED gig, okay, cool. I’ve got all the LED programming playback stored in the playback pages, so let’s bring that back down and put in some handles, and we’re an LED deck. Last night was 180K of par cans. Cool. All the LED programming goes back into playback storage, and let’s pull out the par can pages, and touch everything up here,” he explained.
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