MADRID, Spain – Lighting designer Edu Valverde used Clay Paky Sharpys for a show celebrating Spanish jewellery brand Aristocrazy at this year’s Mercedes Benz Fashion Week in Madrid. The designer positioned the Sharpys in straight lines down either side of the catwalk entrance, highlighting the stark geometry of the door and also in further parallel lines down either side of the catwalk.
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LISBON, Portugal – Marco Silva, LD and programmer for A Voz de Portugal, the Portuguese version of The Voice, used 28 Chauvet Nexus 4 x 4 panels to create a front stage façade, which he had pixel mapped by João Canoso of FX – Road Lights. Working with an Mbox Studio media server, Canoso created a design that coordinated with the 6 mm LED upstage video wall. On the live segments of the show, Silva complements the 28 Nexus 4×4 panels with 48 COLORdash Batten-Hex 8 linear wash fixtures and 48 COLORado 1-Quad Tour RGBW LED par-style fixtures.
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LONDON – Projection mapping and video content specialists Bluman Associates projected the Palestine flag onto the Houses of Parliament in the early hours of August 1, 2014 to raise awareness of The Palestine Solidarity Campaign (PSC). Bluman worked with the organization to implement the unauthorized projection, which calls for an end to the bloodshed in Gaza, and for sanctions against Israel.
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Have you ever been so excited about a lighting fixture that you cannot stop playing with it? I’ll be honest here, that is almost always the case when a new light hits my doorstep. It is kind of like Christmas every time. Though, this time, I had to travel across the Atlantic with this particular light. I picked it directly from the factory, hot off the production line.
Read More »One of the greatest advancements in automated lighting programming over the last 10 years has been the ability to easily change fixture types from one to the other. As the market of available fixtures has increased, so too has the need to easily clone or change fixture libraries within a programmed show file. In the past this was accomplished through complicated copying routines and macros. However, even with the new tools built into consoles, it is important that programmers understand how to use these tools and how to prepare their show file for changes.
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PHOENIX, AZ – Event production company Endless Entertainment used a bevy of Elation equipment to light Phoenix Comicon, a comic book convention. The general session room included a 50’ x 24’ stage and a rigged truss structure with an array of spots, beams, Pars, lekos with custom gobos, and more. “Here we used Elation Opti Tri Pars to up- and downlight a backdrop of off-white, two-foot wide square tiles that produced the Pow! that made it undeniably our stage look,” said Will Curran.
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Rosco has launched a line of four new fog machines including the Mini-V, Vapour, Vapour Plus, and V-Hazer models.
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For Rebelution’s Count Me In Tour, LD Kenny Gribbon used Chauvet Legend 412 fixtures to tie together the lighting and backdrop. “The design of the backdrop and stage and lights was a collaborative effort with all crew and band’s ideas coming together,” said Gribbon. “As far our vision for the design went, we considered color mixing one of the most important aspects of the show. We wanted colors to draw you in just like the music does. I was really impressed with the color mixing of the Legends. Another feature that really stood out about the Legends for me was the quickness of the pan/tilt.”
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COLOGNE, Germany – The Lanxess Arena in Cologne, Germany has acquired four Robert Juliat Lancelot followspots. “We chose the RJ Lancelot products because we were not completely satisfied with the American manufacturer we worked with before and therefore preferred to use a European product,” says Lanxess Arena’s technical manager, Martin Rebiszewski.
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LD Steve Sinclair used nearly 200 Robe moving lights to light the Europen tour of Top Gear Live. The Robe fixtures were 38 x LEDWash 600s, 12 x LEDWash 800s, 40 x LEDWash 1200s and 36 x MMX WashBeams all from Robe’s ROBIN series, together with 36 ColorSpot 1200E ATs and 16 x ColorWash 1200E ATs. The main aesthetic challenges include lighting lightning fast moving vehicles and illuminating a large – 27 metres wide by 53 metres deep – stage area keeping it edgy, exciting and theatrical – and also providing the drivers with enough light to perform safely!
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In between tours, over the past few decades, LD Joel Reiff has been writing. He selected 14 of his favorite short stories for his first published paperback, 14 Shorts and Other Dirty Laundry. PLSN found Reiff on the road with Peter Frampton, soon to head out again with Jason Mraz in August, to answer a few questions about his literary aspirations and inspirations.
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