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Robe Fixtures Chosen for “Un Minuto Per Vincere”

Battersea Power Station washed by SGM P-5 LED fixtures.

Blueprint Events Using SGM LED Fixtures for Various Gigs

BRISTOL, U.K. — Blueprint Events, based here, which acquired a stock of SGM LED fixtures, has been using them for applications ranging from the electro tent at the Pukkelpop Festival in Belgium to London’s Battersea Power Station (pictured here), which recently played host to Shine, Cancer Research UK’s full and half marathon nighttime walking events that raise funds for cancer research.

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Faces nightclub in Wolverhampton, UK lit by SGM LED fixtures

Faces Nightclub Equipped with SGM Gear

WOLVERHAMPTON, U.K. — For No Saints’ 1,600-capacity nightclub, Faces, which opened here recently after a $1.19 million refurbishment of the space formerly occupied by Oceana, No Saints CEO Steve Thomas worked with SGM’s Peter Johansen and Cosmic Electronics on a new lighting design featuring SGM’s LED gear.

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Mega-Lite N-E Color FX18

Mega-Lite N-E Color FX18

Mega-Lite’s N-E Color FX18 is a new strip fixture that promises to serve as a powerful effects unit and LED wall wash fixture. The fixture is equipped with 18 3W LEDs which can be individually controlled. By setting up multiple units together, designers can create a matrix to display patterns and chases. The N-E Color FX18 has a 25° beam angle. It is also controllable via DMX 512, offers three modes of operation and has several stand alone presets. It is equipped with 3-pin XLR connection inputs and outputs and powercon in and out.

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LD Richard Lambert lit Shadowlands at Schiller Hall in Buckfast Abbey, Devon, U.K. with D.T.S. Lighting Jack and Nick 600 Wash fixtures.

LD Richard Lambert Lights Shadowlands with D.T.S. Gear

DEVON, U.K. — LD Richard Lambert lit Shadowlands, a production staged by the Unleashed Theatre Company at Buckfast Abbey’s Schiller Hall here, with a lighting rig that included Jack and Nick 600 Wash fixtures from D.T.S. Lighting. The production, directed by Jude Earnshaw, featured a set design by Roger Bloxham and Mark Cartier. It was produced in commemoration of the 50th anniversary of the death of one of its main characters, the author and philosopher/theologian C.S. Lewis.

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