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Hoop Stand from Apollo Design Technology

Hoop Stand from Apollo Design Technology

Hoop Stand from Apollo Design Technology

For floor-mounted fixtures, one of the last things we think of is the actual floor base we typically use — until we get to the gig and notice that it’s missing. I can’t count the number of times floor bases have missed the truck! It can be an honest mistake, of course. But someone back at the shop is going to get an earful. To help keep that mistake from happening, Apollo Design Technology has come up with a simple, lightweight and portable design for a highly stable floor stand that can easily fit into any cramped road case, the Hoop Stand.

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Bigger Fish, Same Pond

After a big meal, you want some time to digest. That’s what mega-lighting entity Philips has done after a six-year tear of acquisitions, including its purchase of LED lighting system manufacturer Color Kinetics (announced in June 2007) and solid-state lighting technology company TIR Systems (March 2007). Then, in 2008, Philips acquired The Genlyte Group, an entity which had previously acquired JJI Lighting Group (May 2006), the U.S.- and Hong Kong-based operations of Strand Lighting (July 2006) and, a few years earlier, Vari-Lite (2002).

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LD Jim Tetlow lit this GM display

LDs at Auto Shows: The Car’s The Star

Some LDs seek out assignments during the cold-weather off season for outdoor concert touring. Michael Keller, LD for Ozzy Osbourne and other touring artists, has worked with the auto shows on and off for more than 20 years with titles ranging from designer to master electrician.  This year, Keller was involved with NAIAS in Detroit, LAAS in Los Angeles, the Philadelphia Auto Show, the St. Louis Auto Show, and CIAS in Chicago.

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Illustration by Andy Au

The Big Picture

Teamwork. It’s a big word. Everyone nods their head and agrees that, on any show, big or small, it’s about the teamwork. But lately I’ve been wondering why so many people in our business don’t really practice what they preach. Don’t get me wrong, I watch them work their butts off, doing great at the task they have been assigned. But the minute they are done with that, they are out of there. Gone from the arena. Waiting for that silly inconvenience between the load in and the load out (the show), to be done.

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Barco LiveDots C8

Barco LiveDots C8

Barco LiveDots’ new C8 joins the company’s C-series of LED displays. The new C8, “typhoon tested” for outdoor use, has a pixel pitch of 8.33 mm and 5,000 nits brightness. Also designed to withstand exposure to vibration, varying temperatures and UV rays as well as water and dirt, C8 is compatible with the same image processing, software and peripherals that support other C-series LED displays.

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American DJ Mega GO Flood Par

American DJ Mega GO Flood Par

ADJ’s Mega GO Flood Par is a battery powered, low profile LED Par Can with RGB color mixing and a 120° beam angle for stage or wall washing. The rechargeable lithium batteries let users position the fixtures anywhere. They are particularly well-suited for short, wide wall washing and backlighting of scrim. The SMD (Surface Mount Diode) LEDs, which are rated at 50,000 hours of use, have a maximum power draw of 18W.

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Ayrton MagicPanel 602

Ayrton MagicPanel 602

Ayrton’s MagicPanel 602 has 36 15W RGBW LEDs with high-output 7.5° 45-mm optics, and the fixtures also feature continuous double rotation in Pan and Tilt mode. Consuming 600W, the fixtures offer an overall luminous flux in excess of 14,000 lumens. 4G Ayrton technology gives users individual control of each LED source in expanded Full Color mode. The fixture can be used in groups to display letters or graphics via ArKaos Kling-Net or DMX RDM via its XLR connectors.

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DTS MAX

DTS MAX

DTS’ MAX has optics that let it work as a moving Beam, Spot, Wash and Theatre fixture. The light source is Philips’ MSD Platinum 16R 330W, and with 11 coated lenses plus dichroic glass reflector, the beam ranges can vary from 1.5°-2° (Beam), 2°-37° (Spot), 10°-60° (Wash) and 4°-40° (Theatre).  The fixture operates with a 16-bit motorized linear zoom and focus and has a motorized iris and linear dimmer/shutter/strobe that can flash 0.85 to 10 times per second.

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GLP impression X4S

GLP impression X4S

GLP’s impression X4S is the “small” version of the impression X4. It uses the same 15W RGBW LEDs as the X4, but with seven LEDs instead of the X4’s 19. Other similarities between the X4 and new X4S include zoom range (7°-50°), homogenous light output and pixel pattern capability. The X4S measures only 12 inches high and weighs 12 lbs. Other features include fast 16 bit movement, electronic shutter control and smooth dimming.

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Robe Robin Pointe

Robe Robin Pointe

Robe’s Robin Pointe is a beam, spot, wash and effects fixture that is designed to be small, bright and quick. Using a 280W Osram discharge light source, it offers a 5°-20° zoom with full focus control, variable frost, two separate prism effects, a rotating and a static gobo wheel and inbuilt color wheel. A new homogenizer works with the rotating gobos to spread the light evenly. A variable frost effect effectively turns the beam/spot fixture into an efficient wash light.

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ARRI L7-TT LED Fresnel

ARRI L7-TT LED Fresnel

ARRI’s L7-TT LED Fresnel, a tunable tungsten model (hence the “TT”), joins the company’s L-Series range. The new TT version is similar in design to the ARRI L7-C, but with the TT, users can adjust the color temperature from 2600K to 3600K. The TT version is also 20 percent brighter, while matching the L7-C’s size, weight, calibrated color quality and adjustable green-magenta point. As with all L-Series fixtures, the L7-TT LED Fresnel can be cost-justified with extended operating life and reductions in power usage by 75 percent or more.

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