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LightFactory LF50

LightFactory LF50

Cooper Controls' LightFactory LF50 is an entry-level version of the PC based lighting controller Light Factory priced with beginner users in mind.

 

The full-priced software is already used by some 3,500 licencees worldwide, and the lower-cost pricing structure of the LF50 is expected to broaden the software's appeal, particularly among educational establishments and smaller venues.

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Martin MAC III Performance

The MAC III Performance profile moving head has a new interleaved framing system with full crossover of each blade and continuous rotation for new projection, framing and effects possibilities. Touted for its variety of shapes, it is available as a stand-alone fixture or as an upgrade that installs in minutes on any existing MAC III Profile.

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Counting and Measuring Meaning in Life

Do you remember the first concert you ever attended? Of course you do. I remember mine like it was yesterday. It was a band called Krackerjack at the Corpus Christi Exhibition Center. They had a bass player named Tommy Shannon (currently touring with Joe Satriani, Eric Johnson, Jonny Lang, and Kenny Wayne Shepherd on the Experience Hendrix Tour) and a young guy on the guitar they called "Skeeter." Later on they stopped calling him Skeeter and started calling him Stevie Ray Vaughn.

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Olympic Lighting and Projection Take Center Ice

The Opening and Closing Ceremonies of any Olympic Games is a daunting production task, and the ceremonies for the 2010 Winter Olympics in Vancouver, B.C. were no different. David Atkins of Australia-based David Atkins Enterprises (DAE) served as the ceremonies' executive producer and artistic director. 

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Scenic Designer Scott Pask: Deglamorizing Spokane

Scenic designer Scott Pask is admittedly a perfectionist. When PLSN called him to discuss his work on the new Martin McDonagh play A Behanding in Spokane, he was examining a set piece on the new musical Promises, Promises. "I'm on stage," he reveals. "We'll talk, but I'm kind of looking at something as well. So if I break away for a second, forgive me." This is a polite but unnecessary disclaimer. It actually takes a matter of moments to work out what he is doing, and then the passionate Pask is ready to chat in-depth about Spokane. But that moment emphasizes how he is committed to his work at every phase of creation.

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