A Tale of Two Cities…and 48 Set Changes
Taking a famous literary work and putting it onstage as a Broadway musical is bound to draw fire from critics and purists, and A Tale of Two Cities is certainly no exception.
“If you’re doing something that’s derived from the classics there is almost no way past the critics because the past belongs to the critics, and they will always tell you how it should’ve been done,” remarks Tale scenic designer Tony Walton, a 51-year veteran of the business. He also notes: “Shows that are accessible in a big way to a popular audi-ence seem to carry within them the seeds of seething fury for the critics.”
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