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John Huntington

John Huntington

If you think you’re not familiar with John Huntington’s work, you’re probably wrong. Those of us who have been in the industry for a while might remember his erstwhile contributions to industry magazines. Others may remember him from his time at Production Arts Lighting before that company was absorbed by Production Resources Group (PRG). But even those who missed that period quite possibly know his work by way of the hundreds of students who have passed his classes at New York City College of Technology or at the Yale School of Drama where he teaches entertainment technology. Or perhaps you have a copy of his book, Control Systems for Live Entertainment, the third edition of which was recently published by Focal Press.

 

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motivational speakers

     I light business meetings every now and then. Those boring conferences where people in the same line of work gather to get worked into a frenzy in order to sell sell sell whatever it is their company hawks. They always seem to have a motivational speaker. And I hate these bastards.

 

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When you go to New Orleans you got to go see The Mardi Gras.

Well, well, well, I finally got to take my first trip to New Orleans recently and it was for Mardi gras! For me this trip was not only a unique experience but to try to understand more about the element of music I work with every night when I’m out on the road. New Orleans is known for their sacred music from down south and its there in the city is where it can be truly understood watching the parades and seeing all the plethora of musicians all over the streets. It is virtually impossible to walk down the streets of that town and not hear music.

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ZZ Top

Lighting designer Chris Stuba tells the story of how he was once riding around in a car with legendary bandleader Billy Gibbons. It was early in his tenure as the designer for ZZ Top, and Gibbons wanted to talk to him about an upcoming tour. So he drove to Stuba’s house in Houston, where they both live, and picked him up. They were driving around, talking about the upcoming tour, when a ZZ Top song came on the radio. It was one of those moments when time stands still, and Stuba’s thoughts turned inward. “I grew up listening to ZZ Top, and here I was, driving around with the man, listening to his music on the radio,” Stuba recalls.

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The Evolution of Brightness

I recently programmed the lighting for Gospel Superfest, a nationally syndicated television show aired on gospel cable channels. For the past couple of years, the executive producer has been increasing the use of video in the show by adding video walls and plasma screens to the stage. This year, however, he asked Set Designer and Show Technical Director Rene Lagler to incorporate video projection into the design, and the result was impressive. My quest to find out how it was accomplished and what equipment was being used led me on a little backstage investigation of my own.

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Slaying the Beast: A Modern Tale of Timecode

In the deepest and darkest regions of your console, a demon exists that some will never dare to battle. In a place where many fear to tread, it has been cursed and reviled by many would-be heroes. In the beast’s lair, the measurement of the fourth dimension takes on an uncanny accuracy oth-erwise unknown to many humans. The periods known as Hours, Minutes and Seconds are joined by a unit of diabolical accuracy known as the Frame.

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