Opera Lighting: Broad Strokes, Big Drama
When the production staff at San Diego Opera opened the containers from the rental house — the ones that were supposed to contain the Michael Yeargan-designed set for their production of Aida — they could hardly believe what they saw. They saw nothing. The containers were empty. Their one-week production schedule did not allow for setbacks, nor could they replicate the set in their own scene shop. The automated, winch-driven scenery with its steeply raked floor had to exist somewhere, but finding it could take hours, or even days.
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