FORT WORTH, TX — The Long Reach Long Riders celebrated their 11th ride with a raffle and live auction to benefit Behind the Scenes during the USITT Conference here in late March. Sales of raffle tickets, some key donations, and BTS and LRLR-branded swag raised just over $12,000 for the charity.
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Tour Dates: The current leg includes the two broadcast shows at SXSW and a Lollapalooza run through South America at the end of March.
Design: It supports and emphasizes a mood where shadows delicately outweigh highlights. Vertical ladders left and right get the pretty light angles, and the video content supports a surreal theme. The show is based on a lighting design by Kille Knobel with production design by Justin Collie. It’s an eclectic mix right now, as these are a series of festival style shows, and luxuries you enjoy on a standard tour are not always available. Soundgarden music is a primal, distorted, haunting version of their own psychedelia. The task is to support and convey that mood no matter what rig I have to use.
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The headline sounds nutty, right? “Finding Time to Work?” Don’t we already put in enough hours in the day to make our bosses happy? If you are on tour, in sales or a traveling man, a good part of your business is spent being outside of the office, being on site and, often, working out-of-pocket. Your typical “eight hour day” is spent nowhere near a computer and, most likely, away from paperwork. You know, those pesky pieces of paper or digital files that actually get us paid.
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Lighting Co
East Coast Lighting & Production Services (ECLPS)
Venue
Jorgensen Center for the Performing Arts
University of Connecticut, Storrs, CT
Lighting Co
Musique Xpress Lights Inc.
Venue
Coliseo de Puerto Rico José Miguel Agrelot
San Juan, Puerto Rico
When you are doing a musical based on the bestselling book and hit film The Bridges of Madison County and cannot actually build a bridge onstage, that conundrum creates a seemingly insurmountable obstacle. But scenic designer Michael Yeargan tackled the problem with ingenuity, knowing that sometimes one can show someplace or something without fully representing it. He needed to figure out “how to depict a covered bridge on the stage when this action happens in it, through it, and behind it,” he says. “There was no way we could really build a covered bridge, so we designed it to indicate it with those arches that fly in.” It was a balancing act of scope and intimacy for a story centered on two people in love in an extramarital affair.
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It was conveyed to us that Sting and Paul did not want two [separate] shows — they wanted one,” states Richard Locklin, LD for Paul Simon. “We needed the show to be seamless, moving nicely from one song to another without stopping the show to move set pieces.”
Mission accomplished.
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