SYLMAR, CA – Xantech Corporation named Tom Harvey, a 25-year veteran in the consumer electronics industry with 15 years at the executive level as its director of sales. In his new position, Harvey will develop sales programs for Xantech and its dealer network and work with Xantech dealers, distributors and sales representatives.
ABU DHABI, U.A.E – At the 2009 Formula 1 Abu Dhabi Grand Prix, Flash Entertainment produced a four-night series of concerts for race weekend ticket holders with headliners including Beyoncé, Jamiroquai, Kings of Leon and Aerosmith. Luke Bonner of Production Technology LLC used Cast Software's wysiwyg to model the lighting rig, which included more than 750 fixtures.
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You had to be there.
You had to be there to see a hilariously self-deprecating Dennis DeYoung emcee. You had to be there for touching, moving documentaries on the three Parnelli honorees, Richard Belliveau, Stan Miller and Jake Berry. You had to be there for the surprise winners and their usually unconventional acceptance speeches.
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Jason Lyons, LD for the Broadway musical Rock of Ages, is using a Martin MAC rig for the rock anthem-infused love story at the Brooks Atkinson Theatre.
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American Idiot, the rock album by Green Day, has become a rock opera with a recent run at the Berkeley Repertory Theatre. LD Kevin Adams used an ETC Eos lighting control system for the production.
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HSL supplied all lighting and rigging for Sting: A Winter's Night…, a holiday TV special and DVD shoot staged in Durham Cathedral. The show was directed and produced by Jim Gable and Ann Kim of Graying & Balding, Inc. HSL's five-person crew was led by Simon "Piggy" Lynch. The LD for the show was Manfred "Ollie" Olma.
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Many off-Broadway and Broadway productions are becoming increasingly ambitious in terms of scope and technical demands. The latest example is Catch Me if You Can, a musical inspired by the Steven Spielberg film about Frank Abagnale, Jr.
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In 1998, Canadian Jacques Tanguay observed a product at the PLASA trade show in London that he had never seen before. It was a product he felt certain no one in North America was using yet, and one that delighted and tantalized his mind with the possibilities it presented.
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If you could sum it up in three thoughts, LDI 2009 might be remembered for smaller booths, crowded aisles and lots of interesting new products. The recovering economy zapped the show with a shrink ray this year, and many of the normally-gargantuan spaces were reduced to countertops and backdrops.
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E/T/C UK's Ross Ashton designed a projection project for Durham Cathedral as part of the four-day Lumière, A Festival of Light event, curated and coordinated by Artichoke Productions.
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Rock fans savored two nights at New York's Madison Square Garden in late October when Crosby, Stills & Nash, Paul Simon and Art Garfunkel, Stevie Wonder, Bruce Springsteen, Billy Joel, Metallica, Sting, Jeff Beck, U2, Mick Jagger and other top artists helped mark the Rock and Roll Hall of Fame's 25th year.
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In part one (PLSN, Oct. 2009), we took a trip down memory lane, with a refresher course on digital cinema and the evolution of 3D projection. From its beginnings in the 1890s through its “golden age” in the 1950s, 3D stereoscopic projection expanded and matured.
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