STOCKHOLM, Sweden — LD Pelle Larsson used Martin Professional’s 1500-watt MAC III Profiles and Martin MAC 2000 Wash XBs to light the Grammis, Sweden’s answer to the Grammy Awards. The event was staged in January at Hovet arena in Stockholm. Larsson also designed the set for the program, which was broadcast on Sweden’s TV4.
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FORT WORTH, TX — When Rob Wimberley, technical director at the Christ Chapel Bible Church, opted to upgrade the house of worship’s conventional lighting fixtures with moving lights, design consultant Rick Stuart of Rick Stuart Production and Design specified Robe gear for the job. Electro Acoustics and Video (EAVI) supplied the new equipment.
Read More »SEATTLE — Stage Company Productions, Inc., headquartered in Lakewood, Colo., expanded to the Pacific Northwest and named Stephen Dilts general manager of the company’s Northwest operation here. The company provides video, audio, lighting, staging and event coordination services to corporate clients.
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MIAMI — Medialon Inc. announced that David Geoghegan has joined the company as director of North American sales. A 21-year industry veteran, Geoghegan has a background in themed entertainment, casinos, museums, live production and broadcast.
Read More »SYRACUSE, NY — PowerLift, J. R. Clancy’s automated theatre hoist, has been listed as meeting the UL 1340 Hoist standard for safety by ETL. A Nationally Recognized Testing Laboratory (NRTL), ETL was originally founded by Thomas Edison in 1896. PowerLifts will now carry the ETL Listing Mark.
Read More »HOLLISTER, MO — Blue Planet Lighting has agreed to acquire Sandor Sound Services Group, forming Blue Planet Audio. Ed Sandor, newly appointed president of Blue Planet Audio, will oversee all departments of the company. Sandor will receive a controlling interest as well as creative control over the Blue Planet Audio division.
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I do a fair amount of work with artists who come from south of the border. Several reside on different Islands in the Caribbean. Today I am on my way to Trinidad. Once again I am traveling with little info other than my plane ticket and the knowledge that I am working on a show somewhere on that island.
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WASHINGTON DC — Over a million people gathered on the National Mall and along the inaugural parade route to witness history in the making when Barack Obama took the oath of office as the 44th president of the U.S. For those lucky enough to have made it to the steps of the Lincoln Memorial, where Martin Luther King delivered his “I Have a Dream” speech, it was up close and personal. But for the rest of the crowd, most of which surrounded the Reflecting Pool, IMAG played a big part in helping one of the largest crowds to ever assemble in the nation’s capital witness the historic moment.
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WASHINGTON, DC — The new administration hadn’t even taken office, but with gigs aplenty in the nation’s capital, the inauguration provided more than a ray of hope to lighting and staging companies. In the span of eight days, Atmosphere Inc. coordinated and executed lighting for 52 shows in 24 different venues across the city, including two of the largest — the Commander in Chief’s Ball for members of the military at the National Building Museum and the Youth Inaugural Ball at the Washington Hilton & Towers.
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The Obama inauguration was accompanied by events all over the metropolitan Washington D.C., and they gave lighting suppliers and designers the opportunity to shine. At The Gaylord National Resort and Convention Center, which hosted approximately 30,000 guests Jan. 18-22, for example, Showcall Inc. and Baltimore Stage Lighting Productions lit themed rooms and ballrooms for the Texas State Society’s Black Tie and Boots Inaugural Ball.
When the dark terrorist satire The Lieutenant of Inishmore played on Broadway, its violent content and gory second act — literally featuring hacked bodies strewn across the stage — certainly shocked and engrossed audiences. But it played in the Lyceum Theatre with several hundred people in attendance every night, which gave those present a greater sense of safety. The recent production at the Signature Theatre in Arlington, Virginia was far different. Presented in an intimate venue with only 125 seats, it became a far more intense, in-your-face experience. Some people were so shocked that they walked out of a richly ironic story about a rogue Irish terrorist named Padric who goes ballistic on his family and friends when he discovers that his beloved cat has been killed.
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Eric Wade, owner of Wadespro, Inc., has been in the moving light business in one way or another since…well, since its inception. He is the favorite programmer and lighting director of many of the industries’ leading lighting designers. The demand for his services is so high that he often programs a show and turns it over to an operator after it is up and running. He’s also an accomplished lighting designer.
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