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Ozzy Osbourne: No More Bubbles

Ozzy Osbourne: No More Bubbles

When Ozzy Osbourne recently hit the road, it was the first time in almost ten years that he was the headliner. His recent forays into reality television have pro-pelled him back into the limelight and the world now knows that Ozzy’s shows can’t have bubble machines. Lighting Designer/Director John Clark grew up in Nashville, so he’s been around the business enough to be familiar with the no-bubbles rock genre. Having worked for Vari-Lite and VLPS and toiled under the tu-telage of Eric Wade, he has lit everything from hip-hop to country to rock shows, the last two of which were tours with Disney’s Cheetah Girls and Ashley Simpson. He has also worked with Available Light in Boston doing corporate shows, trade shows, and “a lot of one-offs.” He’s currently touring with Ozzy and making sure the Osbournes are happy.

 

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passing it forward

If you've read enough of my jargon, you realize I'm a big believer in "giving something back". In other words, for years people have spent their time teaching me my craft. So now I spend time teaching others the same thing. But this morning I had something cool given to me.

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Lighting Grinch-Themed Ice Sculptures

Scenic designer Michael Hotopp and his creative partner/scenic designer Bill Hoffman have worked together for two decades on myriad productions — touring theatre shows, trade shows, and the Radio City Christmas Spectacular — but nothing could have prepared them for working during the last eight years on ice sculpture installations as part of the Ice series for the Gaylord Hotels. Working on Christmas-based themes, they have created walk-through attractions that depict famous holiday characters and events, but this past year they got a real treat — designing the Ice! How the Grinch Stole Christmas.

 

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gig school

     Every year I design the set and lighting for a traveling rock show called “A Taste of Chaos”. Ten bands will perform on 2 stages every night. Each year I take a few young kids and try to school them in the art of setting up and lighting a rock show. Some pass with flying colors while others flounder miserably.

    

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Rabbit in the Moon

When Kevin Mitchell of Sugar Society booked the legendary Rabbit in the Moon at Amos’ Southend, his ace up his sleeve was Jack Kelly of Eye Dialogue, who had four years of experience doing shows at the Charlotte, NC music hall. He handed Kelly the tour rider and asked if he could light it for $4,000.

 

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Automating the Show

As an automated lighting programmer, I am often tasked with helping to automate the playback of a production. There are several approaches that are used in our industry for various types of automated lighting playback. There are also times when the lighting console needs to trigger other de-vices to ensure that the production is synchronized by the lighting console. Whether using MIDI, MIDI Show Control, Timecode, analog signals, or other custom triggers, it is important to understand the choices and how to use them.

 

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Becoming a Theatre Gypsy

If you think working on a musical with multiple sets is tricky, try tackling a touring show where the venue changes almost daily, and the size of the venue expands or shrinks depending upon where you are. That’s the challenge that production stage manager Shawn Pennington and head electrician Lynnette Provost face on the current national tour of Gypsy. The show chronicles the rise of Gypsy Rose Lee, whose stage mother tried for years to make her a star until their waning fortunes landed their act in a seedy burlesque theater, where financial desperation and failed artistic aspirations transformed a sweet young woman into a seductive stripper.

 

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14 Rounds to a Knockout Show

Lighting and stage designers have the tools at their disposal to create shows that a previous generation of LDs could only dream about. But the complexity of today’s sets and shows often requires repeat visits to the electronic drawing board, with an occasional reality check from someone eyeing the budget and logistics.

 

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Raising the Bar with 46664 in Johannesburg

Dec. 1, 2007 was World Aids Day, a day set aside by the World Health Organization to raise awareness of the global AIDS epidemic, and Gearhouse South Africa was busy supplying design, full technical production and crew for the 46664 Concert staged in Johannesburg’s Ellis Park Stadium.

 

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