MUNICH — At the Electronica trade fair here, Harting and Arrow Electronics announced and expanded distribution agreement Nov. 10. Arrow Electronics, which has been a Harting distributor in North America for 22 years, will now distribute the company’s products in the EMEA and APAC regions as well.
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Lumenpulse Sets a 19th-Century Structure Aglow using 21st-Century Technologies.
Lumenpulse, a specification-grade LED lighting solutions manufacturer, recently provided their Lumenbeam luminaires for the restoration project of the RJ Corman Railroad Bridge. Built in 1890, yet still structurally sound, the bridge, spanning the Cumberland River in downtown Clarksville, TN, was rusting and appeared dilapidated. A simple new coat of silver paint just would not do.
It is hard to imagine that, with the vast proliferation of manufacturers, dealers, and rental houses operating in the production world these days, a young production design company would panic about fulfilling an order after it was awarded a contract. Such were the circumstances that led Scott Humphrey and his father, Jim, to acquire Applied Electronics (AE), however.
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National Technical Institute for the Deaf Theatre Uses Captions, Projections
Most hearing people never give the word “Earth” a thought, but to deaf people, it’s a word that starts with “ear”—proof that our planet is a world meant for people who can hear.
BRIDGEPORT, CT — Global Scenic Services, Inc. (GSSI), a leading provider of scenery design, automation and manufacturing services for theatrical productions, fashion shows, and special events, announced a new management structure following the passing of the CEO and owner Warren Katz. James (Jim) Malski, has been named acting president of GSSI Malski will oversee the day-to-day operations and future growth of the company.
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BRIDGEPORT, CT — Warren Katz, owner of Global Scenic Services, died Oct. 14. He was 44. The company expanded dramatically in the 10 years under Katz’s leadership, in both the size of its facility (from 6,000 to 45,000 square feet) and number of employees (from just eight to 48), supporting top-tier Broadway productions such as How to Succeed in Business Without Really Trying and Hand to God, fashion events including Victoria’s Secret Fashion Show and television shows including NBC’s Peter Pan Live.
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Will you work for anybody that comes calling for our industry?
Everyone is hopped up on the current presidential race, and if you’re not posting memes on Facebook, you’re talking about it at your gigs. Would you work for a campaign you didn’t like if the gig came calling? Well, how professional are you? Can you keep your mouth shut, do your job, and collect that fat paycheck for someone you don’t agree with?
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Recently, PLSN had the pleasure of catching up with the concert touring video pioneer Paul Becher for a quick talk about how he started in the industry 30-plus years ago, his long working relationship with Sir Paul McCartney, and what he enjoys about being a video director.
I’m gonna build a wall. And it’ll be the best wall you’ve ever seen. And someone else is going to pay for it. Honest. My wall is going to make everyone realize that video is king and all those other disciplines are weak. Lights, Bah. You can’t make a wall out of lights. Although I did see a spry, young group of eager kids once make a wall of Source Fours into a pixel-mapped wall-esque display and actually put pictures of Fred Foster (CEO of ETC Theatrical) up, and it wasn’t half bad. And then there’s Rammstein.
Astera has been in the wireless LED luminaire market for some time now, with their flagship AX line of lights leading the market in terms of reliability, ease of deployment and use and cost effectiveness. Today, we’re looking at the Astera AX1 Pixel Tube, a linear cylinder of LED lights.
Robe, the well-known lighting manufacturer based in the Czech Republic, continues to deliver innovative products. They certainly followed through again this time with the LED WashBeam. Yes, I said it, LED Beam fixture! Has LED finally reached the capacity to fully replace discharge lamps? Not quite, but we are getting closer.
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Automated lighting consoles are filled with a multitude of exciting and powerful features. They all help programmers to create amazing and complex light shows with relative ease. Some features will be used with every show, while others are rarely used. There is one tool, though, that is essential to the success of nearly every production. I am talking about palettes/presets. This amazing tool really becomes the basis for lighting programming construction and longevity.