Katy Perry’s “The Lifetimes Tour” is an elaborate production with an out of this world narrative brought to life (and earth) by the production design of Silent House’s Baz Halpin and Vincent Richards. Designers Eric Marchwinski and Kirk J. Miller handled the galactic lighting.
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Rauw Alejandro’s “The Cosa Nuestra World Tour” has a strong theater-based design from STURDY., with design duties handled by Adrian Martinez, Creative Director and Kevin Henry, Production Designer. They worked closely with the Production Manager, Eric P. Duheaney III to realize the design.
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Halsey recently wrapped up “For My Last Trick: The Tour,” a show split into two acts, one theatrical and the other hard-driving rock ‘n’ roll. Leaning into the theatrical vibe, Halsey worked with Production Designer Derek McLane and the Lightswitch team of John Featherstone, Ignacio Rosenberg, Hailey Featherstone, and Anna Merrit.
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KoЯn’s official Cinematographer, Sébastien Paquet set up a new workflow using the Blackmagic Camera app and Blackmagic Cloud when the metal band wanted fan content as part of the documentation of their 30th anniversary concert. The new workflow allowed 200 fans to became part of the video team.
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Production/Lighting Designer Stevie Hernandez discusses his design, gear choices and special effects for Zedd’s performance at Coachella this year. Hernandez credited 4Wall’s production support, and 4Wall’s Andrew Isola and Todd Koval provide more insights on how they helped Hernandez craft a memorable show for Zedd.
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For the three-day Boston Calling Music Festival, Stageline once again provided critical mobile staging for a lineup that included Luke Combs, Sheryl Crowe, Megan Moroney, T-Pain, Fall Out Boy, and Vampire Weekend. Concert Stuff Group (CSG), meanwhile, played a key role in end-to-end solutions for the 10th anniversary of the Carolina Country Music Fest.
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At CMA Fest 2025, Integrated Production Solutions (IPS) provided audio, video, and lighting support for the Hard Rock Stage and video support for the Good Molecules Reverb Stage, along with crews for each discipline. VOLUX Lighting also shares how it supported the 25th annual Ultra Music Festival in Miami, kicking off the 2025 festival season.
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A look at how products from three lighting manufacturers made a difference at this year’s Coachella festival, including Robe fixtures for Lady Gaga’s headlining Mahem performance, GLP fixtures at the main stage and Yuma and Sahara tents, and how fixtures from Chauvet Professional helped transform the Yuma Tent into an EDM nightclub.
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Alec Maassen and Ricardo Rojas of the design firm, AllofUs spoke with PLSN about their new company and their initial major project—designing 2hollis’ “minimal yet dynamic” performance at Coachella. They crafted a cohesive and impactful show while balancing creativity and logistical constraints.
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A detailed look at how the many production companies under the Concert Stuff Group umbrella can support festival needs, plus unique festival solutions offered by Stageline, All Access Staging, Creative Conners, Gallagher Staging, Image SFX, InCord Custom Theatre Netting Solutions, Integrated Production Solutions (IPS), Kito Crosby, Kvant Lasers, Pangolin Laser Systems, Rose Brand, SGPS ShowRig, TAF USA, Therio Innovation, Tyler Truss Systems and Unity Lasers and X-Laser.
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The Shinnyo Lantern Floating Hawai’i, a deeply significant Buddhist ceremonial tradition where candle-lit lanterns are floated in the water, representing a profound sense of gratitude and a heartfelt prayer was broadcast live across the Hawaiian Islands and Japan from a beach stage designed by Hideaki Tsutsui, the Production and Lighting Designer.
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Rachael Bronstein reminds us that having good people in your corner is important and we need to take the time to nurture our industry relationships.
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