GLP impression X4 Boosts German National Team’s Celebration

For his five dance pieces in Nanyan Academy of Fine Arts’ graduation show, LD Jonathan Sin chose the Source Four LED Lustr+ luminaires as sidelights to support the tungsten Source Four fixtures in his design. “This decision allowed me to have very flexible color-changing options while minimizing the rig on my side booms to four fixtures per boom,” describes Sin.

LD Richard “Shaggy” Ehmcke relied on an Avolites Titan Mobile console for this year’s Summerland tour by Everclear, Soul Asylum, Eve 6 and Spacehog. The console’s small size and ability to switch out programming for different fixture types is what sold him on the Titan. “I’m not carrying any lights at all, so I’m putting the console itself and my mind through paces. So if today’s an all-LED gig, okay, cool. I’ve got all the LED programming playback stored in the playback pages, so let’s bring that back down and put in some handles, and we’re an LED deck. Last night was 180K of par cans. Cool. All the LED programming goes back into playback storage, and let’s pull out the par can pages, and touch everything up here,” he explained.

PHILADELPHIA, PA – Clay Paky Shotlight Wash fixtures were used for two back-to-back concerts in May: the MMR*B*Q, the annual show from Philadelphia rock radio station 93.3 WMMR, and the WRFF-FM Seventh Birthday Show. Clay Paky’s Shotlight Wash combines a 1500W discharge lamp wash light and a 3000W Xenon lamp strobe in one device.  The two wash/strobe functions are perfectly integrated and can be operator-controlled with either simultaneous or separate operation and special effects.