Vari-Lite, a Signify entertainment lighting brand, announced the ZerOS 7.14 update for FLX Series consoles. The update includes support for Open Sound Control (OSC), RS485-based Vision.Net and DMX Input. Here’s a video overview of the ZerOS 7.14 update for FLX Series consoles:
Read More »New Vari-Lite ZerOS update brings OSC, RS485, and DMX Input to FLX Series Consoles
Soundwise is a busy Aarhus, Denmark-based full production rental company, which was founded by Lars Thorsager in 2001, initially, as you might expect from the name, as an audio specialist. Their client base includes music and cultural shows and events, touring and corporates, the latter being a rapidly expanding sector. It’s that growth in premium industrial shows over the last year that has fueled a new investment in Robe moving lights, with 12 ESPRITES and 12 LEDBeam 350s joining the rental fleet.Read More »A Wise Move for Robe
Three familiar faces recently moved into new marketing roles at ETC. Each individual has been with ETC for several years spanning various positions. Lowell Olcott was recently promoted to Product Marketing Manager of ETC’s Product Management department. After eight years of experience as a Product Manager, Olcott says, “I am excited to be working more closely with this fantastic team as they continue to develop innovative new products.” He is deeply interested in system integration and is committed to exploring new ways for ETC products to work together. Prior to working in the Marketing department, Lowell was a Field Project Coordinator based out of ETC’s LA office.Read More »Three Marketing Roles Filled at ETC
OSA International, a full-service production company with offices in Nashville, Las Vegas, and Chicago, is supplying the lighting gear and product support for Peter Frampton’s comeback tour, Never Say Never. To visually bring his shows to life in concert, Frampton turned to Lighting Designer and Emmy-award winner Gregg Maltby and a full complement of OSA lighting. Although he had never worked with Frampton before, Maltby was hired to direct the Never Say Never tour and take the lead on the tour’s production design.Read More »OSA Lights Up Peter Frampton’s ‘Never Say Never’ Tour
MA Lighting has come out on top in the fight against illegal counterfeit products, winning a case at Brazil’s Supreme Court. Acting as the court of last resort, the Supreme Court has ruled against a local businessman who had offered counterfeit MA consoles, such as the onPC fader wing and the onPC command wing, for sale on the Brazilian online platform “Mercado Livre”, and imposed an order to refrain and to pay substantial damages. The convicted party had been proved to have perpetrated trademark infringements and engaged in unfair competition through the illegal sale of the counterfeit products.Read More »Success in the Fight Against Product Piracy: MA Lighting Wins Legal Case in Brazil
The Shubert Organization has chosen six aspiring theatre professionals for its second Shubert Organization Internship Program cohort, beginning July 10. The program aims to provide a general knowledge base of theatre administration and operations and offers hands-on project involvement as Shubert prepares for the 2023-2024 theatre season.Read More »Shubert Organization Announces 2023 Internship Program Participants
Vasco Rossi decided to delight his countless fans again in 2023 with a short concert tour that crisscrossed Italy. As always, Giovanni Pinna was in charge of lighting, and made extensive use of Claypaky fixtures. “The set design changed radically this year,” Pinna told us. “We mainly used 70-by-26-meter stages based around a triangle: there were three triangles of automated battens of different dimensions around a large central triangular LED wall. Each batten was fitted with a modular rig complete with all the lights.”Read More »Vasco Rossi Tours with Claypaky and an Extraordinary Lighting Design by Giovanni Pinna
PLSN’s LD-at-Large, Chris Lose, notes that, after years of feeling like the “young gun on the crew,” where he could easily “work circles around lighting techs who struggled to adapt to new technologies,” he has once again started to “feel the creep of maturity” set in. The solution, he notes, is to guard against extinction by adapting to technological changes, detailing his journey from working with a Strand 520i to the Wholehog II, grandMA1, grandMA3, while eyeing a future that could include consoles that harness AI to optimize show production.
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At NAB 2022, roughly 50 out of 1,200 booths showed Virtual Production (VP) solutions. A year later there were 600 out of 1,500 booths in the segment. InfoComm 2023 also underscored the fact that VP as a market segment has moved from buzzy trend to something worthy of full blown R&D assets for manufacturers.
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K&M: Crank Up Stands, plus info on other new products from ADJ, City Theatrical, Claypaky, Martin/Harman, Pangolin, Wenger and Whirlwind
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World First at Pathway with 65mm Celluloid Shoot; Brompton Technology Powers New LED Stage at NIPA in South Korea; How Luke Halls Studio is Streamlining Projection Mapping Workflows; Cabal Esports Boosts Virtual Production of Gaming Events; China’s Largest LED VP Studio Opens
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4Wall and ZeroSpace Partner with disguise to Launch Virtual Production Accelerator in NYC; Vū and Unilumin Embark on Strategic Partnership; Absen’s Neptune Series Surpasses 50,000 Panels Sold in Six Months
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