Skip to content

Madrix LED Lighting Control System

Madrix LED Lighting Control System

The advent of the blue LED in 1993 unlocked the potential for LED technology to be used in the entertainment lighting industry for a variety of applications, one of the most important of which is the RGB LED luminaire. Creative designers quickly discovered that these luminaires could be assembled in a matrix configuration and used for low-resolution graphics. But in the beginning, there were few options for the programmer to ease the tedious task of assigning color and timing to a matrix of RGB LEDs. Today, there are many more software and hardware solutions to make it quick and easy to convert a video file to a beautiful graphic LED display.

Read More »

A&S Makes Their Case

The case brought back into A&S Case Company the other day was old — 22 years old. But it was hardly the historic artifact you might think.

 

The band that had been using it all that time had no interest in letting it go, rather, they just wanted some of the interior foam replaced. That’s not exceptional in the experience of A&S Case, but rather typical. “There are cases being actively used out there that were made when the company was first formed in 1976,” says Bill Waskey. “They may have had a caster replaced, and of course they look a bit worn, but they are still very serviceable.”

Read More »

Alicia Keys

Visual Light is a U.K.-based design house started by Nick Whitehouse in 2002. Bryan Leitch soon came on board as a design partner. Since then, the two have been working hard to become one of the most highly-regarded design teams in the world. Whitehouse and Leitch continue to collaborate on de-signs, striving to strike a balance between art and practicality. Some of their previous and current clients include Justin Timberlake, Coldplay, James Taylor, Kylie Minogue and Timbaland.

Read More »

Once There Were Giants

I had the good fortune to have met him — an honor that I cherish to this day.  During the 1970s and 1980s, I also had the good fortune to have worked at the company that he founded — the company that invented videotape recording.  At that time, the company was a powerhouse, 6,000 strong and the dominant worldwide force in the AV industry.  To this day, the work ethic that was a part of the company’s very name remains a fundamental part of my own ethic.

Read More »

Blame the Gear

It’s become painfully evident to me that this industry has been overrun with people who take too much responsibility for their actions. Every day it seems like I’m on a show where a technician double-checks his work, a programmer tests her backup console or a designer accepts the blame for an uneven front wash.

People! This has got to stop!

Read More »

Video and Lighting Keep Converging

Days before InfoComm opened mid-June in Las Vegas, one of the world’s leading projection video purveyors announced the acquisition of one of the lighting industry’s most well known brands. Barco’s purchase of High End Systems further solidifies the ongoing convergence between video and lighting and in the process seeks to redefine what had been individual sectors under the rubric of the events market. High End Systems, Inc. was majority-owned by Generation Partners, a U.S. private equity firm, which acquired the company in 1998.

Read More »

Believing is Seeing

“In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed.” — Henri Matisse

Read More »

Timecoding a Rock Show

The world of stage productions has really grown complex in the last 10 to 15 years. Not only have automated lights become standard, but so have digital audio consoles, complex show control systems, motion control and networking. Often these systems must be synchronized via MIDI or SMPTE to ensure a reliable and repeatable production. While it can be amazing to sit back and watch a programmed light show run automatically, it is also a bit disheartening to walk away from a desk and have the show continue.

Read More »

Stranger in a Strange Land

Often enough my work takes me abroad. And just when I thought I’d played a gig in every corner of the world, some band has found a new locale.  There was a time when South America seemed like a distant land, an impossible place to do a proper show. But that’s in the past. Now I get to teach the locals how to do shows in lovely places like Ethiopia and Kazakhstan.

Read More »