The recently completed remake of the 1974 Charles Bronson vigilante thriller, Death Wish, has undergone an exceedingly long gestation period and painful birth. Media reports of “creative differences” involving scripting and casting have contributed to years-long controversy surrounding a film whose trailer stoked a social media firestorm.
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With her daring multi-media show, The Neck is a Bridge to the Body, solo acoustic guitarist Kaki King explores the joys of oobleck, MIDI software and anthropomorphic surrealism.
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Top Tours, Festivals Enhance Visuals with Latest Technologies
Many of this year’s biggest music festivals and concert tours impressed the crowds with converging broadcast and AV technologies. Among the companies on the leading edge: Blackmagic Design. The company recently provided a look at how its AV solutions, from cameras to switching, routing and monitoring, have helped rental and staging companies bring the art of live video production to new levels.
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So you wanna be a rock star? Or, more accurately, you want to provide video for rock stars. You’ve just ordered your fresh batch of zero point zero pixel pitch LED. It’s on its way to your shop, and Larry (your shop guy who normally maintains the line array), says “Hey Boss, the Pat Benatar show we’re doing next week needs video.” Larry wants to bid his first video job.
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In mid 2017, d3 Technologies revealed its newest and fastest range of servers to date, the gx range. With two models, the gx 1 and gx 2, the new systems meet the increasing demand for real-time generative effects, and then some. Let’s take a closer look at some of its impressive features.
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“The Pointe was like taking the first beam fixtures manufactured and putting them on steroids.”
This was how the original Pointe was described to me before I used it. Now Robe has taken this fixture to the next level.
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Chauvet Professional has delivered an impressive fixture that can serve as a nice wash light as well as a masterful bit of eye candy. The Maverick MK Pyxis is a compact slugger with a lot of bells and whistles designed to offer the user unending colorful and dimming chase effects. Most importantly, they have come up with a system of macros that deal with dimmer chases as well as fun color combinations at the same time.
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Elation Professional’s (also known as Elation Lighting) World Headquarters is located in Los Angeles. They’ve been producing innovative products since 1992 and are part of the American DJ group of companies. LED fixtures, like washes and spots, have been around the market for a while, but not LED moving BEAM fixtures. Today, we have the pleasure of taking a look in and around Elation’s newest product.
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With the release of the Axcor Profile 900, Claypaky has launched their first spot profile to use a LED light source, instead of a traditional discharge lamp. With their recent marvels in LED light engine technologies realized, the time had come for them to show the world what they had been waiting for and by all first responses, the wait was worth it.
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Mark Dodd Provides a Look at the Company’s Latest Products
Once again, Tyler Truss Systems (TTS) is leading the way by introducing new structures applicable to the live entertainment industry. With LED products revolutionizing the lighting and video industries, Mark Dodd, president and founder of TTS and Dodd Technologies, realized the time had come to apply the Tyler GT Truss concept to this particular market.
Read More »Automated lighting programmers have many great tools at their disposal that aid in the programming of shows and the creation of cues. Some are more important than others, but all have their place. Taking the time to adjust parameters so that they work as expected is an essential secret of programmers. While the console’s fixture library should take care of most of these settings, they often fail or are not specific for your needs. Programmers should take the time to ensure that parameters (particularly pan/tilt) are behaving in the best method possible for each specific show.
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Russian-German EDM artist Zedd is on tour until Nov. 4 in Mexico with a creative team headed by show and production designer Travis Shirley. Longtime LD and lighting director Steven Hernandez and tour director Ken Floyd are also on board for the trek. “Zedd and his team were looking to get a bit more theatrical with the ‘Echo’ tour,” Shirley says. “We created a unique LED configuration along with a custom floating DJ riser and table and several projection moments throughout the show.”
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