NATIONAL HARBOR, MD — Ever since MGM National Harbor opened its doors to the public Dec. 8, 2016, guests have been impressed by a signature amenity of the resort that is visible upon entering – the 15,000-square foot Conservatory. 4Wall DC was tasked with lighting the soaring interior space enclosed by the 85-foot-tall glass-topped atrium.
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The Birth of Non-Profit Residential Theater
The Guthrie Theater, serving in the twin cities of Minneapolis and St. Paul, has been in operation for over 50 years. Unlike theaters on Broadway, which are designed for optimum return on investment, Sir Tyrone Guthrie was primarily devoted to the idea of establishing a playhouse that would exist primarily to nurture and cultivate artistic expression. Run as a nonprofit enterprise, the playhouse he envisioned would keep important works of literature alive by presenting them to appreciative audiences while also cultivating the artistic talents of the performers on stage.
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Brian Setzer first hit the big time as the frontman for the Stray Cats, the band that burst onto the music scene in the early 1980’s with a rockabilly sound from the 1950s. PLSN caught up with Bud Horowitz, LD for the Brian Setzer Orchestra, a swing band ensemble that recently completed its 13th annual Christmas Rocks! Tour. Today’s BSO shows include some of the classic Stray Cats songs with big-band accompaniment. Horowitz has also lit Setzer’s Nashvillians and Rockabilly Riot tours. He notes that, instead of getting too involved in the lighting specifics, Setzer turns to him for the lighting looks.
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Creative Conners, Inc. has been specializing in scenic automation products since 2004 with a simple goal—to make scenic automation simple, safe, efficient, and affordable. They have always offered a range of products that enable designers and technical directors to easily and efficiently add automation to shows, most recently introducing their well-received Floor Pocket, a traproom elevator.
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Looking back, 2008 was a magical year for concert lighting. That was the year that Claypaky unveiled their highly successful Alpha Beam fixtures on a moving yoke, dedicated to the art of the tight collimated shafts of light. A year later, Elation kept the evolution of moving light fixtures moving with units that had a smaller footprint and tiny moving beam. As LED technology continues to sweep across the world of entertainment lighting, we’ve seen more single LED Beam models pop up in the last year. This month we present the latest and best beams on a moving yoke.
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Well-respected programmer and lighting director Paul Sonnleitner recently spoke with PLSN about how he started his ‘is this really a career’ career, and how he approaches his work. Sonnleitner’s credits range from Broadway to live television, from national historic events, including the Presidential Political Conventions to international sports, for which he shared Emmy nominations with LD David Grill for the 2007 Pan Am Games and the 2014 Central American Games. He also has marked New Year’s Eve for the last 13 years working in Times Square.
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HOUSTON — Cat Entertainment Services noted that its technicians were on hand during Super Bowl LI at NRG Stadium to ensure a steady stream of power at the event. In all, the company fielded 16 technicians who were looking after a total of 8,600 kW of generator power, 1,300 kVA of UPS-supported power, and more than seven miles of cable. Pictured here, from left, are Jason Roof, Greg Landa, and Bobby De Luna
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On a recent project, I had the opportunity to use the Bitmap Fixture Engine in a grandMA2 console and, as a result, I discovered an easy new way to pixel-map. Here are some of the reasons why I’ll be using it again in the future.
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Christopher Wheeldon’s Nutcracker, at the Joffrey Ballet Chicago, Revitalizes a Holiday Classic
The strains of Tchaikovsky’s lush, spritely overture soar as the Chicago Philharmonic begins The Nutcracker, but when the curtain rises, we find that we are not, as we may expect, in the expansive living room of a traditional Victorian home. Instead, it’s Christmas Eve 1892 in Chicago, and one family on the outskirts of town conducts its fairly frugal preparations for Christmas Day.
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Ever since I saw a Police reunion show a few years ago, I have had visions of moles on steroids. They had giant 9-lite moles that looked like they had par 56 bulbs in them as opposed to the normal par 36 bulbs we see in blinders. I thought to myself ten years ago, “Why doesn’t someone just make a “Build your own Blinder kit?”
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Crossing Over to the Brighter Side of Event Lighting
It’s Friday at the NAMM Convention, and the separate Chauvet Professional and Chauvet DJ booths are filled with people. That the company is having an active day at an M.I. convention is not surprising. What puzzles me, though, is the number of visitors who walk from one booth to the other.
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It’s become trite by now to point out just how much light-emitting diodes have changed things, and matured as a technology. The difference in every quantifiable variable we can look at in a light — the color rendering and gamut, the dimming, the brightness — has come so far as to make most comparisons to the very first LED devices designed for production laughable. Today, LED-based fixtures are beginning to challenge even large-format moving lights.
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