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The Latest Stage for the Gallaghers

Joey and Joe Gallager in the shop at Gallager Staging

The Latest Stage for the Gallaghers

All the world’s a stage, and all the men and women merely players,” wrote Shakespeare in As You Like It. And there are few players in the staging business better known, even legendary, than Joe Gallagher. In 40 years, he has built a reputation as solid as his stages for working magic for bands, clubs, corporate and sports events, even churches, with everything done “as you like it.” Even during our phone interview, he was as busy as an air traffic controller, solving issues brought into his office, checking truck locations and tour schedules, taking other calls, getting ready for the next tour taking off in a week.

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Bob Seger tour photo by Steve Jennings

Bob Seger & The Silver Bullet Band

Real World Lighting, Inc. was founded in 1989 when Bob Peterson shifted his energy from vending to design. His primary focus has been television lighting for music, comedy and special events, with clients including Garth Brooks, CMT Crossroads, a bevy of comedy specials for Showtime, HBO, Comedy Central and the POTUS [President of the United States]. Real World recently designed lighting for the concert segments of Pitch Perfect 2, the feature film, which gets released this month. Rascal Flatts and The Band Perry have also used Real World Lighting’s tour design consultation services.

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Han theater ext lit (c) Wanda Wuhan Central Cultural Tourism District Development Co., Ltd

The Han Show Theatre

It seems the designers of the new water-based Han Show, in Wuhan, China, have things a bit backwards. Instead of brainstorming on the conceptual basics of a theatrical show and securing the proper venue for it, the leading designers of the production have gotten support from Dalian Wanda Group, a large Chinese commercial property developer and cinema operator that constructed an entire theater for the specific purpose of housing The Han Show..

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Rob Darcy, directing at a Tim McGraw concert

So, You Want to be a Video Director

At a concert, the director controls what the audience sees on the I-Mag. At a professional sports event, the director controls the visual story that’s seen on television, or on a stadium’s huge video screen. Here, we’re talking about directing for live events, with multiple cameras, media servers and various other video sources at the director’s fingertips. There are certainly other types of directors, such as the Kubricks and the Coppolas — but that’s a different breed of cat entirely.

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MADRIX control page

Madrix LED Lighting Control Solutions

With the popularity of LEDs on the rise and the increasing need for better tools to program them, the boundaries of existing software solutions is constantly being tested. Take, for instance, the world of pixel mapping. Once upon a time, pixel mapping more or less was confined to a 2D flat plane on which an image would be displayed. That has changed in the last several years. With products like Pixel Tubes (Eurolite) and LT 100/200 3D Graphic Tubes (SGM) being used to create three-dimensional structures of pixels, traditional 2D pixel mapping software quickly falls short of the task.

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SolaSpot Pro 1500 from High End Systems

High End Systems SolaSpot Pro 1500

Let it be known that a manufacturer has finally built a hard edge moving light with an LED source that’s brighter than the 1200W discharge fixtures now on the market. Barco-owned High End Systems has proven that their SolaSpot Pro 1500 fixture has the horsepower to outshine most of the top selling fixtures others offer while only using a 400-watt white LED light source.

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Phenom from Lightwave International

Phenom from Lightwave International

Last fall at LDI, I was privileged to walk past the Lightwave International booth and see their new fixture, the Phenom, a moving-head RGB laser that combines the best parts of a moving head fixture with the power and visuals of a laser, offering LDs a brand new, previously-unseen effect for their toolkit.

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CEOs Wanna be Rock Stars, Too

To quote Nickleback, “We all just wanna be big rock stars, live in hilltop houses, drivin’ 15 cars….” Or, more to the point, our clients do. Over the past 25 years, we’ve seen corporate shows change in dramatic and unexpected ways, the most profound being the energy level and aesthetic of the productions.

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Corporate event planners should negotiate with venues on AV services before signing the contract

Watch Out for Hidden Venue Costs

Costs for “Venue Exclusive” Production Services Can Add Up Quickly

Sometimes it’s what you don’t see that can sink your ship. Planning and executing successful meetings for your organization can be an undertaking of a Titanic proportion. For every decision you make that shapes the meeting, there will be other issues that lurk beneath the surface and which are not readily apparent. These hidden hazards can easily put a big hole in your budget.

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The Trauma Team

If you have ever watched any of the reality TV shows about emergency rooms, you have probably noticed how well the staff works together to help the patient. I find it a striking resemblance to the way that an automated lighting programmer must relate to others on his/her team. A programmer must work well with each team member to ensure a healthy lighting contribution to the production. By studying this relation in comparison to an emergency trauma team, one can easily see the responsibilities that a programmer has with the production team.

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Sufjan Stevens, Lady A, Zac Brown, Hozier, The Who, Fitz & FitzGerald and More

Production designer Marc Janowitz devised a design in early April for singer/songwriter Sufjan Stevens’ Carrie & Lowell tour in support of the March 31, 2015 album release named for the singer’s mother, Carrie — who died in 2012 after suffering from mental illness — and his stepfather. Stevens channeled his grief into his most personal, intimate songs. To present them on the road, he eschewed the props and gimmicks for which he’s known, and Janowitz sets the stage for a more melancholy mood.

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