The Gershwins’ Porgy and Bess: Reinventing Catfish Row
It’s very rare when an off-Broadway production arouses international controversy and sets the stage for a highly anticipated Broadway run, but in the case of The Gershwins’ Porgy and Bess, that is exactly what happened. Composing legend Stephen Sondheim wrote a letter to The New York Times that was like the musical “shot heard ‘round the world,” condemning the Boston-based production by director Diane Paulus at the ART last fall before he had even seen it. While that is negative attention, that’s still a lot of free publicity, and people’s ears perked up. Sondheim’s issue was with the fact that the show, being transferred from operatic to musical theater form, was going to include some modern revisions that were actually approved by the Gershwin estate.
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