The popularity of the band Green Day has afforded the trio the opportunity to headline and establish high production values. A major part of the production for their 21st Century Breakdown tour is the video element, most of which is controlled by lighting director Kevin Cauley. The other Collie on the tour is lighting designer Justin Collie of Artfag. This is what they had to say about the tour.
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During the last year I have seen many manufacturers unveil various 300-watt lighting fixtures. Each of them had some impressive features that made them stand out. Unfortunately for them, Robe has just upped the bar for everyone by unveiling their evolutionary compact Robin 300 series of fixtures, and, let me tell you something, they’re not missing anything here.
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There’s a fascinating book called The Big Switch: Rewiring the World, from Edison to Google by Nicholas Carr about how cloud computing is changing the world.
Read More »(or “How I Learned to Climb Truss”)
When I think about how fast the entertainment lighting industry has grown over the last 10 years alone, it makes my head spin an infinite number of pan rotations.
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Lighting and projection have always been considered technical crafts that support the artist, but what about when the lighting and projection are themselves the art, extensions of an artist?
Read More »Ladies and gentlemen, step right up and learn about the latest and greatest protocol to take the lighting industry by storm. It’s not DMX, it’s not Art-Net, and it’s not ACN. No, I am talking about ANSI E1.31.
Read More »Knowledge is the eye of desire and can become the pilot of the soul.” —Will Durant
Let’s face it — most of us got into this business to get out of having to get a “real” job. If nothing else, we’re here because we enjoy doing more than we enjoy reading and writing.
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The efficiency of the load in and out of any show is directly related to the cable management of everyone involved,” says production manager/rigger Dano Rowley. The man is right. One of my pet peeves is a sloppy stage with cables strewn all over the place.
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American DJ’s new ProPAR 56RGB is an RGB color-mixing LED fixture and the ProPAR 56CWWW is a warm/cool white LED fixture. Each features 36 1-watt LEDs: the ProPAR 56RGB has 12 red, 12 green and 12 blue LEDs and the ProPAR 56CWWW has 18 warm white (3000K) and 18 cool white (6,000K) LEDs.
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Gerriets’ G-TR dance floor tape applicator gives users a way of taping dance floors and carpets in an upright position. The ergonomically designed tool, which weights in at 11 pounds, can reduce stress on back and knees and helps get taping jobs done three to four times faster than working by hand.
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The new digital light meter from Ideal offers four measuring ranges up to 200,000 lux or 20,000 footcandles with an accuracy of +/-3 percent at a retail price of $149 (U.S.), or about 25 percent less than competitive light meters with similar feature-sets.
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The new generation of the Lightconverse 3D Virtual Show Platform provides a solution for integrating and visualizing multiple show related disciplines in real-time including lighting, video, laser, pyro and DMX-controlled moving objects in a photo-realistic environment.
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