BEIRUT, Lebanon — Installers didn’t need squeegees or paste to decorate the studio for Lebanon’s Future TV. Like several other TV studios around the world, the studio has been equipped with Martin’s EvenLED panels to create a dynamic wallpaper effect. Ali Wazani, architect/designer, used a modular system where two vertical columns of five EvenLED panels rise around a video wall.
Read More »LAS VEGAS — ESP Vision announced that modeling plugins for use with Vectorworks Spotlight 2009 on Windows and Mac OSX operating systems are now available. The company noted that Vectorworks is the only modeling program that currently is available on both Windows and Mac environments. The plugins will let LDs create Vision data files using Vectorworks Spotlight 2009 running on the PC and Mac.
Read More »Jan. 18-21, 2009Palais des FestivalsCannes, Francewww.midem.com
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“The company is new, but the product is not,” says Jocelyn Roux of Mega-Stage. Mobile stages, he adds, are “something that we know.” Roux is the head designer for the new-to-us stage company, which is based in Saint-Jean-sur-Richelieu, Québec, Canada, just southeast of Montreal.
Read More »What are some of the features that you will need to have when you are creating video content for the media servers on your next show? While we’re not recommending any one software package over another, we will talk about some of these things that you may find handy when you are building custom content for your next media server application.
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Charles H. Duell, the former commissioner of the U.S. Patent and Trademark Office, said in 1899 that everything that can be invented, has been invented. Of course, everyone knows that wasn’t true until 2002 when Martin introduced the animation wheel in the MAC 2000. Then and only then had everything been invented, at least in terms of automated lighting. Sure, lots of new automated lighting products were introduced since then, but true innovation seemed to be lacking. Not anymore.
Read More »Right about now, you’re starting to see the first twinkling of holiday lighting. Even among industry professionals, the red and green waves that presage Christmas quickly blend into the background. That is, until you turn the corner on a neighborhood like Howard Beach, in Queens, N.Y., where traffic slows to a crawl for over a month as people converge from the tri-state area to gawk at lighting displays that cost tens of thousands of dollars.
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While the entertainment world was busy romancing the new generation of LED sources, physicists and electronic techs were busy marrying two technologies that would soon yield another lamp source to rival LEDs in efficiency and surpass them in other areas. The new LiFi solid-state plasma lamp is a tiny bulb, radio-frequency power supply, and electronic circuit that puts out a tremendous amount of light in a very efficient manner.
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When Al Gore was the vice president, he created the Hammer Award to recognize people in the U.S. government who helped eliminate inefficiency and waste. The award consisted of a $6 hammer wrapped with a red, white, and blue ribbon, and mounted in a glass encased frame. Apparently the idea for the award came at least in part from the discovery that the U.S. Navy once paid $436 for a single hammer.
Read More »Recently I journeyed to the Mecca of Illumination to study at the feet of the master guru of LEDs. I trained with the legendary leader for weeks and meditated on the growing energy of LED lighting programming. My teacher enlightened me about the ever-increasing importance for an automated lighting programmer to master the Zen of controlling LED products. Through focused visualization, the guru shared an assortment of methods, tips and essentials to help me find my own path of LED illumination.
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I’ve lit a lot of things before — televised events, concerts, trade shows, cars, boats and planes. But I’ve never lit a church. In fact, I have never had any contact with this whole side of the lighting industry (though I wish I did). So I had to smile when I got a call to light some choirs. But they were not in any church; they were in a touring arena show.
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VIENNA, Austria — An 85-square-meter screen is part of Baz Halpin’s signature look for the Queen + Paul Rodgers The Cosmos Rocks tour, but so is the way the screen and the set move about. That’s accomplished with a 48-way Kinesys automation system with Vector control, operated by Barry Branford. In all, the show has about 30 automation cues.
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