In the Volume’s Virtual Production News section includes a story on the competition room for China’s virtual reality variety show, ‘Memoon Player,’ and the latest news about Pier 59 Studios in New York, Fuse Technical Group in Los Angeles, and a free new guide offered by Unreal Engine.
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Each month, In the Volume will be covering studios offering virtual production services. This month, we cover ZeroSpace and XR Stage.
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PLSN’s In the Volume section continues with a roundup of products and services for virtual productions.
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PLSN’s In the Volume section also includes a detailed look at the three models available in the ATEM SDI line of live production switchers from Blackmagic Design—ATEM SDI, ATEM SDI Pro ISO, and ATEM SDI Extreme ISO
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Marking 40 years of lighting Bruce Springsteen, Lighting Designer Jeff Ravitz is once more at the helm for Springsteen’s current tour. PLSN caught up with Ravitz right after the first leg kicked off to discuss his gear choices, how he has brought his years of experience with the artist—and the band—to inform his design and how to get fresh looks over a three-hour show.
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Having sold-out Nashville’s Bridgestone Arena, Jelly Roll has become a sensation in the country music scene, though it was a long road to get to stepping onto that stage. His journey was the inspiration for the lighting and video design from LD Bobby Grey of Notan Creative and Creative Director, David Pawsey of Lüz Studios.
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Presented by Malaysia-based D8 , the Neon Countdown, a three day festival held at Wonder World Extreme Park in Bangkok, Thailand boasted a remote design done by Morrison, CO-based Collyns Stenzel, Collyns Design, Inc. and Ed Shaw of 36NORTH based in Las Vegas. Together they created the massive stage, lighting and video design, along with placing the pyro and lasers, without ever being onsite.
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PLSN speaks with Lighting Designer Paul “PK” Kell about designing Nick Mason’s Saucerful of Secrets’ (NMSOS) “Echoes” tour. With Designer Patrick Woodroffe as the Executive Designer for the tour and Genesis’ legendary Manager Tony Smith managing Nick Mason / NMSOS, Kell jokes about the pressure to get it right, but he was more than up to the job, working with Tour Lighting Director Paul Howling.
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Having handled Rina Sawayama’s first tour, as well as her performance at Coachella and at the Summer Sonic Festival in Japan, it made sense that Lighting Designer, Director, & Programmer Chris Yeomans was again at the helm for Sawayama’s second tour, “Hold The Girl.” Yeoman tells us about the spherical design that has both meaning to the artist as well as practical functionality for the rig.
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Rihanna’s Apple Music Super Bowl LVII Halftime Show on Feb. 12 in Glendale, AZ certainly, and literally, rose above already high expectations with staging and lighting that filled the stadium. We get the scoop on the challenges and solutions that got the show onto the field for a winning performance.
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The Swedish pop supergroup GES wrapped up their 2022 tour with a 33-date sold-out residency at Stockholm’s famous Cirkus venue. Having kicked off their tour in 2021 at Cirkus, it all came full circle, a theme reflected within the Designer Palle Palmé’s production and lighting design, which also played off the venue’s own unique circular architecture.
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Kristi Ross-Clausen is the director of the new Stage and Entertainment Technology (SET) certificate program at Madison College, in Madison, WI. She brought her years of experience as an IATSE Stagehand, an Equity Stage Manager, and an educator to rebuild the school’s stagecraft curriculum to focus on stagehand work and the technical aspects of stagecraft.
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