HBO’s “Dune: Prophecy” was all shot in Budapest, Hungary on massive, built sets that, due to their size, proved a challenge to light. Cinematographer Pierre Gill, CSC shot the first, fifth, and sixth episodes supporting Director Anna Foerster on of this sci-fi series. Gill, and his teams’ expert camera and lighting work set the visual tone in the first episode of this sweeping epic.
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“A Wonderful World: The Louis Armstrong Musical,” a bio-musical of jazz legend Armstrong’s life, features the scenic and video designs of Adam Koch and Steven Royal. PLSN’s newest contributing writer, Adrienne Gurman, spoke with Koch and Royal about their stunning designs for this wonderful musical, which also happens to be the designers’ Broadway debuts.
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Rachael Bronstein advises forgoing New Year resolutions to instead focus on building small, sustainable financial habits.
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Debi Moen looks at lighting the Alan Parsons Project, the CMA Touring Award nominees and some designer updates heading into the New Year.
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Chris Lose discusses how GDTF is helping manage the torrent of different profiles from multiple sources.
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