NYC’s new Perelman Performing Arts Center, the cultural cornerstone of the World Trade Center site, has opened with three theater spaces and a stunning exterior. The 129,000 sq.-ft. building, designed by REX, was realized in collaboration with theater consultant Charcoalblue.
Read More »
Baltimore’s M&T Bank Exchange is a new 14,193-sq.-ft. performance space created within the shell of a historic bank building part of the France-Merrick Performing Arts Center.
Read More »
Over the last year, Bellevue Teatret (Bellevue Theatre) north of Copenhagen has invested in adding more moving lights, some of which are the first to be deployed in Denmark.
Read More »
PLSN speaks with three partners behind THE Conference: Live at Lititz, Charlie Hernandez, Marty Hom, and Stuart Ross. Though the fourth partner Jake Berry wasn’t in the conversation, Andrea Shirk, President/CEO of Rock Lititz, did join us. Rock Lititz hosts the event at their campus in Pennsylvania. We talked about what was learned last year and what to expect this year as the industry again meets to share ideas.
Read More »
Kevin Mitchell spotlights Parnelli NextGen Lighting Designer/Director/Programmer Jonathan D. Martin, whose resume is shaping up nicely. Before his 19th birthday he had already worked with the Jonas Brothers, Carrie Underwood, Cardi B, and Lady A, plus the Super Bowl Halftime Show starring Rihanna.
Read More »
Jill BC Du Boff and Mikah Berky Join Yale Faculty, USITT: Applications Open for SMMP, and The 1/52 Project: $88,000 in Grants Announced.
Read More »
An annual roundup of theatrical training programs to consider for design and production students looking to learn their craft.
Read More »
Lighting Designer Anne Militello recently made her Lyric Opera lighting the company’s production of The Flying Dutchman. The inventive set designed by Allen Moyer is a large rectangular box, presenting Militello with a rather confining creative challenge which she took and solved with stunning results, and minimal front light.
Read More »
Craig Rutherford looks at how the bouba / kiki effect, the idea of how people “map” between sounds and the visual shapes of objects, has relevance in the lighting discipline. He suggests it should be considered by programmers and designers to avoid a visual mismatch to the content being presented, especially for corporate shows.
Read More »
Here is an encore of our 1,000 Words with column featuring André Petrus. Did you know he started lighting shows at 15, went to Full Sail, moved to Nashville and started his professional career at 19? Since then, he’s worked in television and live concerts working with artists such as: Shania Twain, Nick Jonas, Demi Lovato, Tim McGraw, Faith Hill, Kelsea Ballerini, Drake, Little Big Town, Lana Del Rey, G-Eazy, Halsey, Old Dominion, Zac Brown Band, Panic at the Disco, Burna Boy, Charlie Puth, J Balvin, Rihanna, Queen, Greta Van Fleet, and Lil Nas X.
Read More »
Eric “Shakes” Grzybowski originally wanted to be a hockey player. Growing up in Detroit, Shakes started out as a rapper. While performing regionally, he got a lot of experience that led him to work as a stagehand. He then moved up the ranks from tech to stage managing and on to tour and production managing. He’s worked with a wide array of artists, but for 18 years, he was full time with Kid Rock. Other artists he’s worked for include Korn, KISS, the Reverend Horton Heat, Poison, and more. When we spoke, Shakes was just wrapping up PM duties for the Pantera tour and was moving on working on the Queens of the Stone Age tour.
Read More »
The Carter Green Palladium in Carmel, IN unveiled a nightly projection mapping system for the building that will allow for projection installations year-round. Dubbed ‘Palladiscope’, the one-of-a-kind, permanent viewing system was designed by Blockhouse Studios, a bespoke multimedia production company based in Bloomington, IN. Blockhouse also created the inaugural architectural cinema installation.
Read More »